Andy Warhol
Andy Warhol
Andy Warhol
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Andy Warhol
10 More
This property has been sourced from overseas. Whe… Read more
Andy Warhol

Endangered Species

Details
Andy Warhol
Endangered Species
The complete set of ten screenprints in colours, 1983, on Lenox Museum Board, each signed in pencil, numbered 102/150 (there were also thirty artist's proofs), published by Ronald Feldman Fine Arts, Inc., New York, each with the artist's inkstamp on the reverse, the full sheets
screenprint
Image. Sheet. 965 x 965 mm. (each)
Executed in 1983
Literature
Feldman & Schellmann II.293 - 302
Special Notice
This property has been sourced from overseas. When auctioned, such property will remain under “bond” with the applicable import customs duties and taxes being deferred unless and until the property is brought into free circulation in the PRC. Prospective buyers are reminded that after paying for this lot in full and cleared funds, if they wish to import this lot into the PRC, they will be responsible for and will have to pay the applicable import customs duties and taxes. The rates of import customs duty and tax are based on the value of the goods and the relevant customs regulations and classifications in force at the time of import. The final amounts will be determined by PRC Customs and other competent authorities at the time of import. Neither Christie’s nor the seller warrants or guarantees the accuracy of this information and we are not responsible in any way for any errors or omissions. Potential buyers are responsible for satisfying themselves as to the amount of import customs duty and tax payable for lots which they buy and intend to import into the P
Sale Room Notice
Please note all works in this lot are sold unframed. The frames are available for purchase and please speak to a Christie's staff member for further details.

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Eric Chang
Eric Chang

Lot Essay

Andy Warhol's Endangered Species series was born out of a conversation between Warhol and the commissioner, Ronald Feldman, concerning the ecological issue of beach erosion. Given Warhol's curiosity with animals, he was eager to take on the project proposed to him by Feldman. The resulting screenprints highlight ten endangered animals in a colourful, upbeat manner, which Warhol described as" animals in make-up ". His focus on the animals in isolation, with the pop-art palette, puts them on a level of superstardom along with the famous screenprints of his past: Marilyn Monroe, Liz Taylor and Muhammad Ali. The viewer consequently regards the animals in the same immortalizing light as those celebrities.

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