Dong Yoo Kim (b. 1965)
This property has been sourced from overseas. Whe… Read more
Dong Yoo Kim (b. 1965)

Grace Kelly VS Clark Gable

Details
Dong Yoo Kim (b. 1965)
Grace Kelly VS Clark Gable
signed 'KDY'; dated '2013' (lower right)
oil on canvas
162.2 x 130 cm. (63 7/8 x 51 1/8 in.)
Painted in 2013
Special Notice
This property has been sourced from overseas. When auctioned, such property will remain under “bond” with the applicable import customs duties and taxes being deferred unless and until the property is brought into free circulation in the PRC. Prospective buyers are reminded that after paying for this lot in full and cleared funds, if they wish to import this lot into the PRC, they will be responsible for and will have to pay the applicable import customs duties and taxes. The rates of import customs duty and tax are based on the value of the goods and the relevant customs regulations and classifications in force at the time of import. The final amounts will be determined by PRC Customs and other competent authorities at the time of import. Neither Christie’s nor the seller warrants or guarantees the accuracy of this information and we are not responsible in any way for any errors or omissions. Potential buyers are responsible for satisfying themselves as to the amount of import customs duty and tax payable for lots which they buy and intend to import into the P

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Eric Chang
Eric Chang

Lot Essay

Modern visual culture has undergone a new development under the composition of television and internet imagery through miniscule pixel dots of colour. This unique visual phenomenon has profoundly affected the aesthetic concepts and creative vocabulary of contemporary artists. Kim builds his works with miniature portraits that resemble the pixels dots of today's graphic technology. Furthermore, under our society's tendency to iconize and worship idols, the images of certain characters have been objectified through integrating miniature portraits of Clark Gable into enlarged portraits of Grace Kelly. Kim's use of simple thick brushstrokes to depict each small faces is indicative of his particularly high level of techniques and through training. Unaided by technology, his meticulous gradation of colour intensity within each face combines to form the singular facial images. The infused imagery not only creates stunning visual effect, but also points to the blurring line between what is real and unreal under the endless visual possibilities in contemporary art.

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