Damien Hirst (b. 1965)
This property has been sourced from overseas. Whe… Read more
Damien Hirst (b. 1965)

Psalm: Deus, Deus meus

Details
Damien Hirst (b. 1965)
Psalm: Deus, Deus meus
signed in pencil, numbered 47/50, published by Other Criteria, London, the full sheet, framed
This lot has been authenticated by The Hirst Authentication Committee.
screenprint in colours with glaze and diamond dust, on wove paper
Image, Sheet: 740 x 715 mm.
2010
Special Notice
This property has been sourced from overseas. When auctioned, such property will remain under “bond” with the applicable import customs duties and taxes being deferred unless and until the property is brought into free circulation in the PRC. Prospective buyers are reminded that after paying for this lot in full and cleared funds, if they wish to import this lot into the PRC, they will be responsible for and will have to pay the applicable import customs duties and taxes. The rates of import customs duty and tax are based on the value of the goods and the relevant customs regulations and classifications in force at the time of import. The final amounts will be determined by PRC Customs and other competent authorities at the time of import. Neither Christie’s nor the seller warrants or guarantees the accuracy of this information and we are not responsible in any way for any errors or omissions. Potential buyers are responsible for satisfying themselves as to the amount of import customs duty and tax payable for lots which they buy and intend to import into the P

Brought to you by

Eric Chang
Eric Chang

Lot Essay

Damien Hirst often references Christian religious art and iconography. The title of this screenprint, Deus, deus meus, is a quotation from Psalm 22:1 in the Hebrew scriptures, 'Deus Deus meus respice me quare me dereliquisti' (O God, my God, look upon me: why hast thou forsaken me?) but are more widely known as the words spoken by Jesus Christ from the cross in the Christian Passion narrative. The arrangement of patterned butterfly wings references the stained glass of Europe's great cathedrals and the entomologists' specimen cabinet - presenting science as the new, secular religion.

More from Asian And Western 20th Century & Contemporary Art

View All
View All