James Ensor (1860-1949)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM A PRIVATE EUROPEAN COLLECTION
James Ensor (1860-1949)

Le Flacon bleu

Details
James Ensor (1860-1949)
Le Flacon bleu
signed and dated 'Ensor 80' (lower right); signed, dated and titled 'James Ensor Le Flacon bleu. 1880' (on the stretcher)
oil on canvas
47 x 53 cm.
Painted in 1880
Provenance
Augusta Boogaerts, Brussels.
Acquired from the above by the family of the present owners in 1940.
Literature
P. Haesaerts, James Ensor, Brussels 1957, (illustrated p. 49).
T. Kiefer, J. Ensor, Recklinghausen, 1976, (illustrated p. 19).
X. Tricot, James Ensor, Catalogue Raisonné of the Paintings, London 1992, no. 124, (illustrated p. 103).
X. Tricot, James Ensor, Catalogue Raisonné of the Paintings, Brussels 2009, no 145, (illustrated p. 257).
Exhibited
Brussels, Palais des Beaux-Arts, James Ensor, 19 January - 17 February 1929, no. 29.
Paris, Musée National d'Art Moderne, James Ensor, February - April 1954, no. 11.
Ostend, Stedelijk Museum voor Schone Kunsten, James Ensor, 12 June - 15 September 1960, no. 15 (illustrated).
Basel, Kunsthalle/Münster, Landesmuseum, James Ensor, 15 June - 4 August 1963, no. 11 (illustrated p. 19).
Brussels, Galerie Isy Brachot, Ensor: dans les collections privées, 10 December 1965 - 25 January 1966, no. 6.
Paris, Musée de l'Orangerie, L'Art flamand d'Ensor à Permeke, 20 February - 20 April 1970, no. 42.
Chicago, Art Institute/New York, Guggenheim Museum, Ensor, 6 November 1976 - 9 January 1977, no. 5 (illustrated p. 53).
Brussels, Palais des Beaux Arts, L'art en Belgique, 1880-1950, Hommage à Luc et Paul Haesaerts, 27 June - 23 August 1978, no. 30 (illustrated p. 82).

Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Sale Room Notice
Please note that the provenance should read:
Augusta Boogaerts, Brussels.
Acquired from the above by the family of the present owners in 1940.

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Lisa Snijders
Lisa Snijders

Lot Essay

In 1877 James Ensor enrolled at the Académie Royale des Beaux-Arts in Brussels, where he stayed for three years before he left because he felt his work did not get the recognition it deserved. In the years just after Ensor left the academy he painted several still lifes that depict different ingredients for meals, placed on wooden tables in the kitchen: fruit, vegetables, fish, meat and poultry were the main focus in these paintings.

The present lot was painted in 1880. The composition is formed by a blue bottle on the left, a featherless chicken in the middle with its head falling slightly over the edge of the table and a copper pan on the right, turned upside down. The composition of the still life is kept simple, the precise form and identity of the objects is neglected to put emphasis on the intricate play of light and dark and the subtlety of the colours used in this painting. This particular composition, featuring the striking blue bottle, was painted by Ensor four times over the course of forty-five years and clearly shows Ensor’s development as a painter. While the early versions are subtle in colour, the last painting in this series, painted in 1925, is filled with the bright colours typical of Ensor’s later style (X. Tricot, James Ensor, Catalogue Raisonné of the Paintings, Brussels 2009, no. 540).

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