Erik Lindman (B.1985)
This lot is offered without reserve. All sold and… Read more
Erik Lindman (B.1985)

Bloodless

Details
Erik Lindman (B.1985)
Bloodless
signed and dated 'E Lindman 2012' (on the stretcher)
oil, synthetic polymer emulsion and masonite on polypropylone fabric
77 7/8 x 45 7/8in. (198 x 116.6cm.)
Executed in 2012
Provenance
Almine Rech Gallery, Paris.
Acquired from the above by the present owner.
Exhibited
Paris, Almine Rech Gallery, Erik Lindman: Human Personality, 2012.
Special Notice
This lot is offered without reserve. All sold and unsold lots marked with a filled square in the catalogue that are not cleared from Christie’s by 5:00 pm on the day of the sale, and all sold and unsold lots not cleared from Christie’s by 5:00 pm on the fifth Friday following the sale, will be removed to the warehouse of ‘Cadogan Tate’. Please note that there will be no charge to purchasers who collect their lots within two weeks of this sale.

Lot Essay

‘If I find something that articulates what I’m thinking about, I use it. I don’t go out and search for material. The surfaces are things I come across in my day-to-day activities. I’m most excited when paintings I’ve began in the studio get worked upon and edited to such an extent that they themselves have the quality of being ‘found.’ As I don’t make that many paintings, there’s always a pile of just three or four surfaces stacked in my studio waiting to find their place in a painting. At the time that I started being open to incorporating found material, I was reading Simone Weil’s writing. I loved the idea of beauty being most clearly accessed through lack of personality. These found surfaces seemed like a direct path to anonymity’ (E. Lindman, quoted in, N. Trembley, ‘Interview: Erik Lindman, in The Kinsky, reproduced at http:/www. thekinsky.com/conversations/erik-lindman/).

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