Théodore Rousseau (French, 1812-1867)
Théodore Rousseau (French, 1812-1867)

Rivière dans un ravin

Details
Théodore Rousseau (French, 1812-1867)
Rivière dans un ravin
signed 'TH. Rousseau’ (lower left)
oil on canvas
11 x 18 1/8 in. (27.9 x 46 cm.)
Provenance
with Galerie Bernheim-Jeune, Paris.
Alexander Young, London.
Anonymous sale; Boussod, Valadon & Cie., Paris, 23 May 1887, no. 9619.
Baumgarten collection.
L. Megret.
J. W. Edgar, Canada.
with Hazlitt, Gooden & Fox Ltd., 1955.
Ian Askew, England.
His sale; Dreweatts & Bloomsbury, Newbury, England, 14 April 2015, lot 280.
Literature
M. Schulman, Théodore Rousseau, catalogue raisonné de l’oeuvre peint, Paris, 1999, p. 123, no. 117, illustrated.
Exhibited
London, Hazlitt, Gooden & Fox Ltd., Some Paintings of the Barbizon School, 1955, no. 44.
London, Hazlitt, Gooden & Fox Ltd., Théodore Rousseau le grand réfusé, November 1961, no. 25.
Norwich, Sainsbury Centre for Visual Arts, University of East Anglia, Théodore Rousseau, 12 January – 21 February 1982, and London, Hazlitt, Gooden & Fox Ltd., 10 March- 8 April 1982, no. 30.

Lot Essay

Pierre-Etienne-Théodore Rousseau was a central figure in the renewal of landscape painting that radically changed the French art world during the 19th century. Rivière dans un ravin is infused with a profoundly romantic temperament and dates from a period when the young Rousseau became aware of the English romantic painters, particularly John Constable and Richard Parkes Bonnington, and 17th century Dutch landscape artists such as Jan van Goyen. The painting’s rich color and contrasting light provide a strong sense of local atmosphere, with a wealth of informative detail. Rousseau’s aim is to integrate the viewer into the panorama by incorporating a figure in the foreground silhouetted by the sunlit backdrop. The painting has a freshness, immediacy, and liveliness which suggests the artist started the work en plein air and then finished in his studio.



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