Details
Walton Ford (b. 1960)
Conclusions
signed with the artist's initials 'W.F.' (lower right); titled 'Conclusions-' (upper left)
watercolor, gouache, graphite and ink on paper
30 x 22 1/4 in. (76.2 x 56.5 cm.)
Executed in 1996.
Provenance
Paul Kasmin Gallery, New York
Acquired from the above by the present owner
Literature
B. Buford, Walton Ford: Pancha Tantra, Cologne and London, 2009, pp. 36-37 (illustrated).
Exhibited
Long Beach, California State University, University Art Museum, Avatars: The Watercolors of Walton Ford, January-March 1999, p. 11 (illustrated).
Brunswick, Bowdoin College Museum of Art, Brutal Beauty: Paintings by Walton Ford, September-December 2000.

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Saara Pritchard
Saara Pritchard

Lot Essay

By reviving the Audubon-style illustrations that invoke the pioneering expeditions of Charles Darwin, Walton Ford is able to create a unique niche for himself, operating in an area all his own. Conclusions is a classic example of his technique. A work on paper featuring his signature bird iconography, meticulously rendered using gouache, watercolor, ink and graphite, Ford creates both imagery and atmosphere, all while maintaining the subtle social commentary that gives his art a sharp cerebral undertone. Unlike scientific renderings by Audubon, in Conclusions Ford creates a disturbing effect through the use of space; the featured bird pressed against the boundaries of the page in an unnatural and contorted pose. Ford’s work is undoubtedly informed by the historic scientist-illustrators, but it manages to retain its uniqueness both when compared to the works of his spiritual predecessors and his contemporaries working today.

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