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National Gallery 2, London 2001
Details
Thomas Struth (b. 1954)
National Gallery 2, London 2001
signed 'Thomas Struth' (on a paper label affixed to the reverse); signed again, titled, numbered and dated 'National Gallery 2 London 2001 2/10 Thomas Struth Print: 2002' (on the reverse)
chromogenic print back-mounted to Plexiglas in artist’s frame
image: 43 ¼ x 50 1/8 in. (109.9 x 127.3 cm.)
overall: 60 1/8 x 68 7/8 in. (152.7 x 174.9 cm.)
Executed in 2002. This work is number two from an edition of ten.
National Gallery 2, London 2001
signed 'Thomas Struth' (on a paper label affixed to the reverse); signed again, titled, numbered and dated 'National Gallery 2 London 2001 2/10 Thomas Struth Print: 2002' (on the reverse)
chromogenic print back-mounted to Plexiglas in artist’s frame
image: 43 ¼ x 50 1/8 in. (109.9 x 127.3 cm.)
overall: 60 1/8 x 68 7/8 in. (152.7 x 174.9 cm.)
Executed in 2002. This work is number two from an edition of ten.
Provenance
Marian Goodman Gallery, New York
Acquired from the above by the present owner
Acquired from the above by the present owner
Literature
H. Belting, Thomas Struth: Museum Photographs, Munich, 2005, pp. 87 and 107 (another example illustrated).
A. Kruszynski, T. Bezzola and J. Lingwood, eds., Thomas Struth: Photographs 1978-2010, New York, 2010, p. 211 (another example illustrated).
A. Kruszynski, T. Bezzola and J. Lingwood, eds., Thomas Struth: Photographs 1978-2010, New York, 2010, p. 211 (another example illustrated).
Exhibited
Dallas Museum of Art; Los Angeles, Museum of Contemporary Art; New York, The Metropolitan Museum of Art and Chicago, Museum of Contemporary Art, Thomas Struth: 1977-2002, May 2002-September 2003, pp. 45 and 178 (illustrated).
Passariano, Villa Manin Centro d'Arte Contemporanea, Love/Hate: Da Magritte a Cattelan, May-November 2004 (another example exhibited).
Madrid, Museo Nacional del Prado, Thomas Struth, Making Time, February-March 2007, pp. 53, 55 and 108 (another example exhibited and illustrated).
Zurich, Kunsthaus Zürich; Dusseldorf, K20 Kunstsammlung Nordrhein-Westfalen; London, Whitechapel Gallery and Porto, Museu Serralves, Thomas Struth, Fotografien 1978-2010, 2010-2012, pp. 130-131 and 210-211 (another example exhibited and illustrated).
Passariano, Villa Manin Centro d'Arte Contemporanea, Love/Hate: Da Magritte a Cattelan, May-November 2004 (another example exhibited).
Madrid, Museo Nacional del Prado, Thomas Struth, Making Time, February-March 2007, pp. 53, 55 and 108 (another example exhibited and illustrated).
Zurich, Kunsthaus Zürich; Dusseldorf, K20 Kunstsammlung Nordrhein-Westfalen; London, Whitechapel Gallery and Porto, Museu Serralves, Thomas Struth, Fotografien 1978-2010, 2010-2012, pp. 130-131 and 210-211 (another example exhibited and illustrated).
Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.
Sale Room Notice
Please note that this work is signed 'Thomas Struth' (on a paper label affixed to the reverse) and is signed again, inscribed, titled, numbered and dated 'National Gallery 2 London 2001 2/10 Thomas Struth Print: 2002' (on the reverse).
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