Marino Marini (1901-1980)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more THE PROPERTY OF A PRIVATE SWISS COLLECTOR
Marino Marini (1901-1980)

Personaggi del circo I

Details
Marino Marini (1901-1980)
Personaggi del circo I
signed and dated 'MARINO 1950' (lower right)
oil, gouache, wax crayon and ink with sgraffito on prepared canvas
36 x 26 5/8 in. (91.5 x 67.5 cm.)
Painted in 1950
Provenance
Erick Estorick, London, by 1958.
Mr & Mrs Kirk Douglas, Beverly Hills, by 1958; their sale, Christie's, New York, 16 May 1990, lot 311.
Private collection, Switzerland, by whom acquired at the above sale.
Anonymous sale, Sotheby's, London, 1 December 1992, lot 51.
Acquired at the above sale by the present owner.
Literature
F. Russoli, Marino Marini, paintings and drawings, London, 1965, no. 22, p. 181 (illustrated p. 73).
H. Read, P. Waldberg & G. di San Lazzaro, Marino Marini, Complete Works, New York, 1970, no. 67, p. 402 (illustrated p. 400).
E. Steingräber & L. Papi, Marino Marini Paintings, Ivrea, 1987, no. 134 (illustrated p. 67).
Exhibited
Pasadena, Art Museum, The New Renaissance in Italy, October - November 1958, no. 59 (titled 'Horse and Clowns').
Milan, Palazzo Reale, Arte Italiana del XX Secolo da Collezioni Americane, April - June, 1960, no. 119 (illustrated); this exhibition later travelled to Rome, Galleria Nazionale d'Arte Moderna, July - September 1960.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Brought to you by

Ishbel Gray
Ishbel Gray

Lot Essay

'Since my childhood, I have observed these beings, man and horse, and they were for me a question mark. In the beginning there was a ‘harmony’ between them, but in the end, in contrast to this unity, the violent world of the machine arrives, a world which captures it in a dramatic, though no less lively and vitalizing way’.
(M. Marini in Pistoia, 1979, pp. 29-30.)

More from Impressionist & Modern Art Day Sale

View All
View All