Lot Essay
You don’t have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.
Lee Friedlander
Lee Friedlander
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PROPERTY FROM A DISTINGUISHED AMERICAN COLLECTION
Lee Friedlander (B. 1934)
New York City, 1966
Details
Lee Friedlander (B. 1934)
New York City, 1966
gelatin silver print
signed and variously numbered in pencil with photographer's copyright credit stamp (verso)
image: 6 ¼ x 9 ½ in. (15.7 x 24 cm.)
sheet: 7 x 10 7/8 in. (17.8 x 27.7 cm.)
New York City, 1966
gelatin silver print
signed and variously numbered in pencil with photographer's copyright credit stamp (verso)
image: 6 ¼ x 9 ½ in. (15.7 x 24 cm.)
sheet: 7 x 10 7/8 in. (17.8 x 27.7 cm.)
Literature
Rod Slemmons, Lee Friedlander: Like a One-Eyed Cat: Photographs 1956-1987, Harry N. Abrams, Inc., New York, 1989, pl. 20.
Chris Bruce and Andy Grundberg, After Art: Rethinking 150 Years of Photography, Henry Art Gallery, University of Washington, Seattle, 1994, p. 12.
John Szarkowski, Lee Friedlander, Self Portrait, D.A.P./Distributed Art Publiushers/Fraenkel Gallery, New York, 1998, pl. 27.
Thomas Weski and Heinz Liesbrock, How You Look At It: Photographs of the 20th Century, D.A.P./Distributed Art Publishers, New York, 2000, p. 427.
Peter Galassi, Friedlander, The Museum of Modern Art, New York, 2005, pl. 120.
Chris Bruce and Andy Grundberg, After Art: Rethinking 150 Years of Photography, Henry Art Gallery, University of Washington, Seattle, 1994, p. 12.
John Szarkowski, Lee Friedlander, Self Portrait, D.A.P./Distributed Art Publiushers/Fraenkel Gallery, New York, 1998, pl. 27.
Thomas Weski and Heinz Liesbrock, How You Look At It: Photographs of the 20th Century, D.A.P./Distributed Art Publishers, New York, 2000, p. 427.
Peter Galassi, Friedlander, The Museum of Modern Art, New York, 2005, pl. 120.