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Property of the Metropolitan Museum of Art, Sold to Benefit the Acquisitions Fund
Charles-François Daubigny (French, 1817–1878)
Les bords de l'Oise
Details
Charles-François Daubigny (French, 1817–1878)
Les bords de l'Oise
signed and dated 'Daubigny 1864' (lower right)
oil on panel
8 ¾ x 15 ¼ in. (22.2 x 39.4 cm)
Les bords de l'Oise
signed and dated 'Daubigny 1864' (lower right)
oil on panel
8 ¾ x 15 ¼ in. (22.2 x 39.4 cm)
Provenance
Samuel T. Haas, Cleveland, until 1961.
with Wildenstein & Co. Inc., New York, by 1961, acquired directly from the above.
Ferdinand Eberstadt (1890-1969), New York, acquired directly from the above, 1963.
Mary V. T. Eberstadt, New York and Huntington, N.Y., his wife.
By whom gifted to the Metropolitan Museum of Art, 1964.
with Wildenstein & Co. Inc., New York, by 1961, acquired directly from the above.
Ferdinand Eberstadt (1890-1969), New York, acquired directly from the above, 1963.
Mary V. T. Eberstadt, New York and Huntington, N.Y., his wife.
By whom gifted to the Metropolitan Museum of Art, 1964.
Literature
C. Sterling and M. M. Salinger, French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Volume 2, XIX Century, New York, 1966, p. 97, illustrated, as On the Banks of the Oise.
M. Fidell-Beaufort and J. Bailly-Herzberg, Daubigny, Paris, 1975, p. 151, no. 81, illustrated.
R. Hellebranth, Charles-François Daubigny, 1817–1878, Morges, Switzerland, 1976, p. 96, no. 272, illustrated.
M. Fidell-Beaufort and J. Bailly-Herzberg, Daubigny, Paris, 1975, p. 151, no. 81, illustrated.
R. Hellebranth, Charles-François Daubigny, 1817–1878, Morges, Switzerland, 1976, p. 96, no. 272, illustrated.
Exhibited
New York, Wildenstein & Co., Birth of Impressionism, 7 March – 6 April 1963, no. 33, as Landscape with a Lake.