Jean Dubuffet (1901-1985)
Jean Dubuffet (1901-1985)

L'Ambulant (The Wanderer)

Details
Jean Dubuffet (1901-1985)
L'Ambulant (The Wanderer)
signed and dated 'J. Dubuffet 57' (upper right); titled, inscribed and dated 'L'ambulant 22 mai 57' (on the reverse); titled and inscribed 'L'Ambulant (personnage avec chapeau dans un paysage prune)' (on the backing board)
gouache on paper
9 ¼ x 13 ½ in. (23.4 x 34.3 cm.)
Executed in May 1957
Provenance
Galerie Daniel Cordier, Paris.
Arthur Tooth & Sons Ltd., London.
Chester Beatty Collection, London (acquired from the above in January 1958).
His sale, Sotheby's London, 27 June 1991, lot 3.
Acquired at the above sale by Leslie Waddington.
Literature
M. Loreau (ed.), Catalogue des Travaux de Jean Dubuffet -- Célébrations du sol I, lieux cursifs, texturologies, topographies, Lausanne 1969, p. 152, no. 23 (illustrated, p. 25).
Exhibited
London, Arthur Tooth & Sons, Jean Dubuffet: Paintings 1943-1957, 1958, no. 31 (illustrated, unpaged).
Sale Room Notice
Please note that Artist's Resale Right (ARR) is applicable to the present lot.

Brought to you by

Katharine Arnold
Katharine Arnold

Lot Essay

Executed in 1957, LAmbulant is an exquisite relic from Jean Dubuffet’s long sojourn in the South of France. With his right arm raised across his body, a lone figure stands amidst an empty field, rendered in delicate strokes of gouache in rich, earthbound hues. Prompted by his wife’s illness to seek fresher climes, the artist relocated to the rural setting of Vence, whose natural, uncultivated landscape spoke directly to his fascination with raw visual languages. Presaging the flâneur-like figures who roamed the streets of his Paris Circus works, LAmbulant offers a bucolic idyll: a vision of pastoral innocence executed with free, untamed brushstrokes. The figure’s distinctive posture later became the inspiration for a large-scale Hourloupe sculpture of the same name which, along with Clochepoche, was installed at the Hakone Open-Air Museum in Japan as part of the group LAmbassade. Prior to its acquisition by Leslie Waddington, the work spent over thirty years in the collection of Sir Alfred Chester Beatty: the mining magnate, celebrated collector and connoisseur of books and manuscripts. Throughout his lifetime he worked in close partnership with the British Museum, where he served as a patron, and later donated nineteen Egyptian papyri to its holdings.

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