Heimo Zobernig (B. 1958)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM A DISTINGUISHED PRIVATE EUROPEAN COLLECTOR
Heimo Zobernig (B. 1958)

Untitled

Details
Heimo Zobernig (B. 1958)
Untitled
acrylic on canvas
111 ¼ x 111 ¼ in. (282.5 x 282.5cm.)
Painted in 2006
Provenance
Galerie Micheline Szwajcer, Brussels.
Acquired from the above by the present owner.
Exhibited
Brussels, Galerie Micheline Szwajcer, Heimo Zobernig, 2008-2009.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
Sale Room Notice
Please note that the dimensions for this lot are 111 ¼ x 111 ¼in. (282.5 x 282.5cm.) and not as printed in the catalogue.

Lot Essay

“Premiering a new series of diagonal grid paintings, the majority in a diamond format, on first glance they recalled the early lozenge grids of Piet Mondrian (1872-1944). More scrutiny, however, revealed just how Zobernig’s work transcends the banalities of so-called appropriation art, but instead critically builds on key historical moments, and playfully enlivens the close to extinct tradition of geometric abstraction.” (D. Pestorius, ‘Due Process. Some Notes on Heimo Zobernig’s Grid Paintings and their Antecedents, in Heimo Zobernig, exh. cat., Kunstverein Braunschweig , Braunschweig, Germany, 2003)

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