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Lot Essay
«J'avais vu une exposition de Buren au CAPC de Bordeaux, que j'avais trouvée magnifique… Dans une petite salle, étaient montrées les œuvres des années soixante: les Buren matissiens qui m'avaient particulièrement frappé. C'est pourquoi … j’avais demandé si Buren accepterait de montrer à Renn Espace ses premiers travaux, avant qu'il ne trouve la radicalité de ses bandes de tissus verticales que tout le monde connait. C'est ainsi que les Buren matissiens furent exposes après les photos de Sugimoto.»
«I saw an exhibition of Buren at the CAPC Museum in Bordeaux, and found it amazing… In a small room were exhibited his works from the 1960s – the ‘Matisse’ Burens, which struck me the most. That's why… I asked if Buren would agree to show at the Renn Espace his early works, realized before he had started making his signature radical, vertically striped fabric pieces. That's how the Buren ‘Matisses’ were exhibited after Sugimoto's photographs.»
«Claude Berri avait un très bon oeil, très pertinent. Sa collection était du très haut de gamme avec des oeuvres complexes et rares. Parmi les expositions qu’il a faites dans son espace, j’ai vu celles de Robert Ryman, de Simon Hantaï, et bien sûr la mienne. Elles étaient impeccables, celle de Ryman, magnifique.»
«Claude Berri had a very good eye, very relevant. He had an upscale collection with complex and rare works. Among the exhibitions that he made in his space, I’ve seen those of Robert Ryman, Simon Hantaï, and of course, of my works. All of them were impeccable, and that of Ryman – sumptuous.»
Un avertissement (certificat) sera rédigé par Daniel Buren au nom du nouvel acquéreur.
«I saw an exhibition of Buren at the CAPC Museum in Bordeaux, and found it amazing… In a small room were exhibited his works from the 1960s – the ‘Matisse’ Burens, which struck me the most. That's why… I asked if Buren would agree to show at the Renn Espace his early works, realized before he had started making his signature radical, vertically striped fabric pieces. That's how the Buren ‘Matisses’ were exhibited after Sugimoto's photographs.»
«Claude Berri avait un très bon oeil, très pertinent. Sa collection était du très haut de gamme avec des oeuvres complexes et rares. Parmi les expositions qu’il a faites dans son espace, j’ai vu celles de Robert Ryman, de Simon Hantaï, et bien sûr la mienne. Elles étaient impeccables, celle de Ryman, magnifique.»
«Claude Berri had a very good eye, very relevant. He had an upscale collection with complex and rare works. Among the exhibitions that he made in his space, I’ve seen those of Robert Ryman, Simon Hantaï, and of course, of my works. All of them were impeccable, and that of Ryman – sumptuous.»
Un avertissement (certificat) sera rédigé par Daniel Buren au nom du nouvel acquéreur.