HENRY CAPT. A VERY FINE, RARE AND ATTRACTIVE 18K PINK GOLD AND ENAMEL OPENFACE TWO-TRAIN QUARTER REPEATING MUSICAL AUTOMATON KEYWOUND CYLINDER WATCH
THE PROPERTY OF AN IMPORTANT SWISS PRIVATE COLLECTOR
HENRY CAPT. A VERY FINE, RARE AND ATTRACTIVE 18K PINK GOLD AND ENAMEL OPENFACE TWO-TRAIN QUARTER REPEATING MUSICAL AUTOMATON KEYWOUND CYLINDER WATCH

SIGNED HENRY CAPT À GENÈVE, CASE NO. 6706, CIRCA 1820

Details
HENRY CAPT. A VERY FINE, RARE AND ATTRACTIVE 18K PINK GOLD AND ENAMEL OPENFACE TWO-TRAIN QUARTER REPEATING MUSICAL AUTOMATON KEYWOUND CYLINDER WATCH
SIGNED HENRY CAPT À GENÈVE, CASE NO. 6706, CIRCA 1820
MOVEMENT: Manual, two-train Lépine caliber, free standing going barrels, cylinder escapement, quarter repeating on two hammers, musical pin barrel with vibrating steel blades, music and automaton activated by a sliding lever in the band
DIAL: Small white enamel, Roman numerals, applied vari-coloured gold automaton scene depicting a lady playing the harp while a seated gentleman is painting her portrait in unison with the music, over a finely painted polychrome enamel village view showing a church to the left and houses to the right and in the background
CASE: 18k pink gold, hinged gilt cuvette, engine-turned bezel, band and back, repeating through the pendant, 59.5 mm. diam.
SIGNED: Cuvette signed Henry Capt à Genève, case stamped JR in a lozenge and numbered 6706
ACCOMPANIED BY: Key

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Lindi Cheng
Lindi Cheng

Lot Essay

The present timepiece is a fine example of an automaton watch by the celebrated Henry Capt in Geneva around 1820, featuring a repeating mechanism, a musical pin barrel and a scene with two automatons: a seated lady playing the harp while a seated gentleman is painting her portrait, a rather unusual depiction. The vari-coloured gold scene impresses by the delicately carved details, enhanced by the finely painted enamel village view, demonstrating the celebrated art of enamel miniatures originating from Geneva in the early 19th century.

Henry-Daniel Capt (born 1773)
Henry-Daniel or Henri Capt, together with Isaac Piguet and Philippe Meylan, was one of the leading manufacturers of musical automata at the end of the 18th and beginning of the 19th century. He specialized in the production of complicated watches, musical and automaton timepieces and was amongst the first manufacturers in Geneva to use a mechanical mechanism with pinned cylinder and tuned-tooth comb. Around 1789 Capt settled in Geneva and worked for several renowned companies such as Jaquet-Droz, Godet, Leschot and his brother-in-law Isaac Daniel Piguet.

When Piguet left to enter a partnership with Philippe-Samuel Meylan in 1811, Henry Capt continued to work first on his own, later with his son Charles Henry, until around 1830, when he joined forces with Aubert and son, Place Bel-Air in Geneva.

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