A VERY RARE AND FINE SET OF IMPERIAL‘COTTON MANUFACTURE’ INK CAKES
PROPERTY FROM THE HAOXIXUETANG COLLECTION
A VERY RARE AND FINE SET OF IMPERIAL‘COTTON MANUFACTURE’ INK CAKES

DATED BY INSCRIPTION TO 30TH YEAR OF QIANLONG, CORRESPONDING TO 1765 AND OF THE PERIOD

Details
A VERY RARE AND FINE SET OF IMPERIAL‘COTTON MANUFACTURE’ INK CAKES
DATED BY INSCRIPTION TO 30TH YEAR OF QIANLONG, CORRESPONDING TO 1765 AND OF THE PERIOD
Comprising eight ink cakes, each is crisply and intricately moulded on one side with a pictorial depiction below two gilt characters, and on the other side with a gilt poetic inscription followed by a commentary in minute characters, all enclosed in a gilt key-fret border. The ink cakes are fitted inside a black lacquer box lined with yellow silk, and accompanied by a yellow-silk dust cover printed in black ink with the date and contents. The lacquer cover is decorated in gold, silver and red lacquer with two five-clawed dragons flanking the title inlaid in mother of pearl.
11 ¼ x 8 ½ in. (28.5 x 22 cm.), Japanese wood box
Provenance
Acquired in Tokyo in 2001

Brought to you by

Sibley Ngai
Sibley Ngai

Lot Essay

The Qianlong Emperor made six trips to Mt. Wutai during his lifetime, and each time he returned via Baoding in Hebei province. On one such trip in the 26th year (1761), he visited the cotton farm ran by the Wang Family near Baoding at the invitation of the Zhili governor Fang Guancheng (1698-1768). Fang was a great proponent of the cotton industry, and this visit greatly impressed the emperor. As a way to advance his cause, Fang decided to commission pictorial representations of the cotton production process in woodblock print form. This was duly finished in the 30th year (1765), and 16 illustrations together with text commentaries were presented to the Qianlong Emperor. The emperor was delighted and moved to compose a poem to accompany each illustration. These illustrations, together with the text and poems were then adapted as ink moulds in the Palace workshop, and produced as ink cakes by the workshop of master maker Hu Kaiwen in Anhui. These inks are some of the finest examples of Imperial ink making, where details as fine as people’s faces and hair are clearly visible. The current set is in beautiful condition, and even retains the yellow silk dust cover, showing the original packaging.
Compare an identical set of ink cakes from the Qing Court Collection in the Beijing Palace Museum, illustrated in Zhongguo wenfang sibao quanji (1): Mo, vol.1, Beijing, 2007 , p. 164, no. 167 (fig.1) .

More from Important Chinese Ceramics and Works of Art

View All
View All