Karla Black (b. 1972)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Karla Black (b. 1972)

Preventable Within

Details
Karla Black (b. 1972)
Preventable Within
chalk on sugar paper and thread
56 ¼ x 60 ¼ x 3 7/8in. (143 x 153 x 10cm.)
Executed in 2009
Provenance
Mary Mary Gallery, Glasgow.
Acquired from the above in 2009.
Exhibited
Glasgow, Mary Mary Gallery, Karla Black, 2009.
Oxford, Modern Art Oxford, Karla Black, 2009.
London, Saatchi Gallery, Newspeak, British Art Now, 2010-2011 (illustrated in colour, p. 24). This exhibition later travelled to St. Petersburg, State Hermitage Museum.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 20% is payable on hammer price and buyer's premium

Lot Essay

Nominated for the Turner Prize in 2011, Karla Black takes children’s interaction with the world through play as her creative muse. ‘That's what sculpture can do,’ she explains: ‘it can be a pure engulfment and absorption in the material world, when you’re not even aware of yourself, when you have no self-consciousness, and you’re not being watched … That is the best possible kind of escape – when you are fully connected to yourself. I think about art as a place to behave, as an escape, not just for me but for the people looking at it.’ Preventable Within is formed from sheets of sugarpaper in a soft pastel green, dusted lightly with orange chalk. Haphazardly glued together in a three-by-three square, the sheets are suspended from the ceiling by thread; the lower right panel is missing as if snatched away, leaving rips and creases in its wake. Toward the upper left, further strokes of blue, yellow and pink chalk create a gentle flurry of colour, echoing the prelingual articulation of physical play. The artist’s use of simple materials to lyrical effect is typical – she has also been known to employ such media as sellotape, cotton wool, toothpaste, eyeshadow and soap. The mundane and everyday are elevated through the pleasure of raw, tactile creativity, and something like the magical worldview of childhood shines through.

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