Jeremy Deller (B. 1966)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more NEXT CHAPTER: CONTEMPORARY ART FROM A PRIVATE ITALIAN COLLECTION
Jeremy Deller (B. 1966)

Untitled (from Memory Bucket)

Details
Jeremy Deller (B. 1966)
Untitled (from Memory Bucket)
(i)(iii)(v)-(vii)(x)(xii)-(xiv)(xvi)(xvii)(xix)-(xxi) signed and numbered 'Jeremy Deller 1/3' (on the reverse)
Lambda print, in twenty-two parts
(i)(v)(vi)(xvi)(xvii) each image: 11 3/8 x 8.4/8in. (29 x 21.5cm.)
each sheet: 13 3/8 x 10 5/8in. (34 x 26.9cm.)
(ii)(iii)(iv)(vii)-(xv)(xviii)-(xxi) each image: 8.4/8 x 11 3/8in. (21.5 x 29cm.)
each sheet: 10 5/8 x 13 3/8in. (26.9 x 34cm.)
each: Executed in 2003, this work is number one from an edition of three plus two artist's proofs
Provenance
Galerie Art Concept, Paris.
Acquired from the above by the present owner.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Lot Essay

These twenty-two photographic prints each represent a still from Jeremy Deller’s documentary film Memory Bucket, which won the Turner Prize in 2004. Created while Deller was on a residency in San Antonio, Texas, for two months, the Memory Bucket project – which also incorporates bumper stickers, t-shirts and other souvenirs reflecting the natural sights and socio-political currents that Deller encountered – was inspired by the physical proximity of two of the state’s most infamous spots. Put on the map by the presidential Bush family, Crawford is a small ranching town that represents Texas, if not America, at its most patriotic. Just minutes away lies Waco, another town of international repute: nearby Mount Carmel is the location of the Branch Davidian compound, the site of a widely critiqued 1993 government siege which resulted in a deadly fire. Deller’s video intersperses interviews with people from both towns with footage that captures a tapestry of Texan history, culture and landscape. From swarms of bats to churches in the desert sun, anti-Bush protestors to flower-bearing cops, Deller creates a fascinating and multifaceted portrait of place.

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