Théodore Rousseau (French, 1812-1867)
PROPERTY OF AN IMPORTANT PRIVATE EUROPEAN COLLECTOR
Théodore Rousseau (French, 1812-1867)

La Vallée tournante de Thiézac, Auvergne

Details
Théodore Rousseau (French, 1812-1867)
La Vallée tournante de Thiézac, Auvergne
signed with initials 'TH.R.' (lower left)
oil on paper laid down on canvas
9 5/8 x 12 ¾ in. (24.5 x 32.4 cm.)
Painted circa 1830.
Provenance
Alfred Sensier, Paris.
His sale; Hôtel Drouot, Paris, 11-12 December, 1877, lot 96.
Porges collection.
Jean Fowles, USA.
Anonymous sale; Sotheby's, New York, 29 February 1984, lot 106.
Claude Aubry, Paris.
Acquired from the above by the present owner.
Literature
M. Schulman, Théodore Rousseau, catalogue raisonné de l'oeuvre peint, Paris, 1999, p. 110, no. 81 (illustrated).
Gustave Courbet e il suo tempo, Verona, 2008, p. 225, no. 62 (illustrated p. 129).
Sale Room Notice
Please note that the medium should read `oil on paper laid down on canvas' and not as stated in the printed and online catalogues.

Brought to you by

Clare Keiller
Clare Keiller

Lot Essay

Théodore Rousseau was a central figure in the renewal of landscape painting that radically changed the French art world during the 19th century. He was influenced by English romantic painters, particularly John Constable and Richard Parkes Bonnington, and 17th century Dutch landscape artists such as Jan van Goyen. As a leading exhibitor at the Salon from the 1830s onwards, Rousseau's influence on the visual arts was immense. He established an artist's colony at Barbizon in 1848, where he worked closely with his great friend Jean-François Millet.
In the present lot, the symbiotic relationship of the plush landscape under a stormy sky presents all the characteristics that made the Rousseau famous. Where the land both builds up in the foreground and respectively recedes away in the background, the river weaves through Thiézac valley, giving life its surroundings. The current of the river visibly pushes forward from the right of the composition, flowing towards the viewer as if to meet them on the bank, but remains just calm enough for the artist to capture reflections of the rich and contrasting light from the sky glinting on the surface of the water.

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