JEAN-ETIENNE LIOTARD (1702-1789)
These lots have been imported from outside the EU … Read more PROPERTY FROM A PRIVATE NORWEGIAN COLLECTION
JEAN-ETIENNE LIOTARD (1702-1789)

La Vénus endormie

Details
JEAN-ETIENNE LIOTARD (1702-1789)
La Vénus endormie
mezzotint, circa 1780, on laid paper, apparently without watermark, a very good impression of this very rare, large print, third, final state, with margins, the surface slightly rubbed, otherwise in good condition
Plate 393 x 475 mm., Sheet 445 x 556 mm.
Provenance
Cabinet des Estampes, Geneva, with their duplicate stamp (not in Lugt).
Musée des Arts Decoratifs (not in Lugt), probably also Geneva.
Literature
Tilanus 15; Roethlisberger & Loche 529
Special Notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Lot Essay

The present mezzotint, the largest of all 15 prints by Liotard, seems rather loosely inspired by the so-called Dresden Venus, which today is thought to have been painted in large parts by Giorgione, but completed by Titian. Although the overall composition is similar, the position of the body, in particular of her arms and legs, is quite different. Liotard also used the mezzotint technique to transform this subject into a twilight scene, while the painting is quite brightly lit, with only a hint of pink in the sky to suggest sunset.
Roethlisberger and Loche record a unique impression of the first state, before all letters, at the Bibliothèque National in Paris; a unique impression of the second state with an abbreviated inscription in Dresden; and three impressions of the present third, completed state (two in Geneva; one at the Bibliothèque National, Paris). To our knowledge, only two impressions have been offered at auction within the last thirty years. The present impression is a duplicate from the Cabinet des Estampes in Geneva (today Cabinet des Arts Graphiques), which has the world's largest and finest holdings of works by Liotard.

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