Jean Pougny (1892-1956)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more EXCEPTIONAL WORKS FROM THE TRITON COLLECTION FOUNDATION
Jean Pougny (1892-1956)

Rue Petrozavodskaya à Petrograd

Details
Jean Pougny (1892-1956)
Rue Petrozavodskaya à Petrograd
brush and India ink and wash on paper
12 1/2 x 9 1/2 in. (31.6 x 23.9 cm.)
Executed in St Petersburg in 1914-1915
Provenance
The artist's studio.
Xana Pougny, Paris, by descent from the artist in 1956.
Margreth Sadeler, Herblay, by descent from the above in 1972.
Anonymous sale, Hôtel Drouot, Paris, 8 April 1994, lot 79.
Anonymous sale, Christie's, London, 28 June 2001, lot 458.
Triton Collection Foundation, The Netherlands, by whom acquired at the above sale.
Literature
H. Berninger & J.A. Cartier, Jean Pougny (Iwan Puni) 1892-1956, Catalogue de l'œuvre, vol. I, Les Années d'avant-garde, Russie-Berlin, 1910-1923, Zurich, 1972, no. 158 (illustrated p. 210).
S. van Heugten, Avant-gardes, 1970 to the Present: The Collection of the Triton Foundation, Brussels, 2012, p. 559 (illustrated p. 251).
Exhibited
St Petersburg, Galerie Dobitchine, Exposition de dessins, 1918, no. 141.
Berlin, Galerie Der Sturm, Iwan Puni, 1921, no. 64.
Paris, Galerie Barbazanges, Exposition des œuvres de Pougny et des aquarelles de Xana Bougouslavskaya, 1925, no. 55.
Paris, Musée National d’Art Moderne, Rétrospective Pougny, January - February 1958, no. 133.
Zurich, Kunsthaus, Jean Pougny, April - May 1960, no. 178.
Nice, Galerie des Ponchettes, Rétrospective Pougny, February - May 1961, no. 127.
Amsterdam, Stedelijk Museum, Rétrospective Pougny, October - November 1961, no. 347.
Paris, Galerie Charpentier, Rétrospective Pougny, 1961 - 1962, no. 183.
Turin, Galleria Civica d'Arte Moderna, Rétrospective Pougny, November 1962 - January 1963, no. 211.
Geneva, Galerie Krugier & Cie, Pougny, 1964, no. 105.
The Hague, Gemeentemuseum, Bolsjewieks, ultra-modernen bontkleurig, Russische kunst uit de collective van de Triton Foundation, March - May 2005, p. 17.
Rotterdam, Kunsthal, Avant-gardes: De collectie van de Triton Foundation, October 2012 - January 2013.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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Lot Essay

This work is sold with a certificate of authenticity from Hermann Berninger.

Christie’s is honoured to be offering for sale a significant group of works from the Triton Collection Foundation, which continues to evolve and grow in new areas. The last major de-acquisition from the collection took place in our salerooms in Paris in March 2015 when the Exceptional Works on Paper from the Triton Collection Foundation sale elicited huge interest from collectors around the globe: Those works, which had been collected by Triton’s Founders over many years, saw spectacular prices for top quality pieces, such as Camille Pissarro’s Paysannes travaillant dans les champs, Pontoise, which sold for €1,381,500 against a pre-sale estimate of €250,000-350,000, further to numerous world records achieved for works on paper by artists such as Claude-Emile Schuffenecker, Paul-Elie Ranson and Frédéric Bazille. This strong market reaction is in recognition of the eye with which they had originally been selected.

Over many years the Foundation has considered public access to its works as a fundamental pillar of its collecting ethos. A continuous dialogue with curators around the world and an extensive loan programme to over seventy museums globally has made this dream a reality and benefited exhibitions at the likes of the Museum of Modern Art, New York, the Thyssen-Bornemisza Museum, Madrid, the Seoul Museum of Art and the Cleveland Museum of Art. These collaborations have ensured that an international audience has consistently had the opportunity to appreciate the quality and breadth of the collection, which stretches from classic Impressionism through to Surrealism and beyond to Post-War work by the major American artists. The sales of the major works in this season’s auctions will give the opportunity to the Foundation to continue its excellent, philanthropic work.

The group of works being sold across our Impressionist sales here in London includes seminal examples of French Impressionism, Post-Impressionism and the European avant-garde, from Claude Monet’s luminous Vétheuil of 1879 to Jan Toorop’s resonating symbolist 1902 composition, Faith and Reward. Each of these works has been bought with a very discerning eye, and often the provenances of the pieces are as noble as the works themselves. We wish the Foundation great success with these sales as well as their future projects.

Jussi Pylkkänen, Global President, Christie’s

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