Edouard Vuillard (1868-1940)
Property from a Prominent Private Collection
Edouard Vuillard (1868-1940)

Lili Lamy en tailleur noir et cravate verte

Details
Edouard Vuillard (1868-1940)
Lili Lamy en tailleur noir et cravate verte
stamped with signature 'E Vuillard' (Lugt 2497a; lower right)
oil on board laid down on masonite
28 7/8 x 27 ½ in. (73.4 x 69.9 cm.)
Painted in 1915-1916
Provenance
Estate of the artist.
Galerie Renou et Poyet, Paris.
Larry and Wynn Aldrich, New York (by 1959); sale, Parke-Bernet Galleries, Inc., New York, 30 October 1963, lot 29.
Mathilda and Emanuel M. Terner, New York (acquired at the above sale); Estate sale, Christie's, New York, 10 November 1999, lot 618.
Private collection, California (acquired at the above sale); sale, Christie's, New York, 9 November 2000, lot 172.
Acquired at the above sale by the present owners.
Literature
A. Salomon and G. Cogeval, Vuillard, Le regard innombrable: Catalogue critique des peintures et pastels, Paris, 2003, vol. III, p. 1212, no. X-70 (illustrated in color).
Exhibited
Richmond, The Virginia Museum of Fine Arts and Atlanta, Art Association Galleries, Paintings and Sculpture Collected by Mr. and Mrs. Larry Aldrich, January-March 1959, no. 57 (illustrated; dated 1910 and titled Student in the Louvre).

Lot Essay

The present work is part of a group of interior scenes that Vuillard painted around 1915-1917 in which he used friends as models, placed in settings such as the Louvre museum, an artist's studio, or the library or sitting-room of a private home. The large-scale Lili Lamy en tailleur noir et cravate verte distinguishes itself from his earlier, small-scale intimiste paintings. As Vuillard encountered an increased demand for portraiture, his interiors became less stylized in the Nabi manner, and the figures tended to assume more natural proportions within the rooms they occupied. Many of the paintings followed a similar format of superimposing a large, dark figure against a colorful patterned backdrop created by paintings, books or wallpaper. Vuillard employed a palette that features dark colors balanced against judiciously placed areas of bright color and touches of white.

More from Impressionist and Modern Art Day Sale

View All
View All