John Singer Sargent (1856-1925)
John Singer Sargent (1856-1925)

Mrs. Archibald Williamson

Details
John Singer Sargent (1856-1925)
Mrs. Archibald Williamson
signed and dated 'John S. Sargent 1906' (upper left)
oil on canvas
58 x 42 ¼ in. (147.3 x 107.3 cm.)
Painted in 1906.
Provenance
The sitter.
Baron Forres III, Glenlogil, Scotland, by descent, 1954.
Hirschl & Adler Galleries, Inc., New York.
Private collection, London, England.
Private collection, Virginia, acquired from the above, 1998.
Literature
Brush and Pencil, November 1906, p. 55.
"Art in Liverpool", Art Journal, vol. 68, November 1906, p. 349.
C.M. Mount, John Singer Sargent: A Biography, New York, 1955, p. 439.
C.M. Mount, John Singer Sargent: A Biography, London, 1957, p. 348.
C.M. Mount, John Singer Sargent: A Biography, New York, 1969, p. 456.
R. Ormond, E. Kilmurray, John Singer Sargent: The Later Portraits, vol. III, New Haven, Connecticut, 2003, pp. 167, 299, no. 511, illustrated.
Exhibited
Liverpool, England, Walker Art Gallery, Thirty-sixth Autumn Exhibition of Modern Art, September 17, 1906-January 5, 1907, no. 761
Orange, Australia, Orange Regional Gallery, Private Treasure, Public Pleasure, February 5-March 24, 1988, no. 87.

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Annie Rosen
Annie Rosen

Lot Essay

"Mrs. Archibald Williamson (d. 1911), née Caroline Maria Hayne, was the daughter of James Charles Hayne. In 1887, she married Archibald Williamson. He was a partner in the [Liverpool] merchant house of Balfour, Williamson & Co., and chairman of Lobitos Oilfields, Anglo-Ecuadorian Oilfields, Central Argentina Railway, and Santa Rosa Milling Company. He was MP for [the Scottish counties of] Elginshire and Nairnshire (1906-18), and for Moray and Nairn from 1918 to 1922. He served as Financial and Parliamentary Secretary at the War Office from 1919 to 1921, and was created baronet in 1909 and Baron Forres in 1922...The Forres family owned 31 Tite Street [Sargent's former studio in Chelsea, London] for a time in the 1970s, and the portrait hung there in the studio. When the portrait was exhibited at the Thirty-sixth Autumn Exhibition of Modern Art at the Walker Art Gallery, Liverpool, in 1906, the Art Journal described it as handled 'with characteristic brio' (Art Journal, 1906, p. 349)." (R. Ormond, E. Kilmurray, John Singer Sargent: The Later Portraits, vol. III, New Haven, Connecticut, 2003, p. 167)

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