Ordinary Nails

"Ed tuned in to a particularly contemporary kind of consciousness, a mode of thinking that would not really have been possible until the late 1950s or 1960s. It is the state of mind of someone driving in a car in a sort of automatic pilot mode, a kind of meditation in which street signs, billboards, palm trees, apartment houses, etc., loom in and out of consciousness with a neutral evenness of impact. This is a mode of consciousness that may have first emerged in Los Angeles, but with the globalization of California culture, it is something that is experienced world-wide. This state of mind is comparable to the television viewer's stupor, another semi-meditative state in which words and images float on and off the screen as the words float over the surface of Edward Ruscha's paintings" (J. Deitch, Edward Ruscha: Early Paintings, exh. cat., Tony Shafrazi Gallery, New York, 1988, n.p.).