Details
Willem de Kooning (1904-1997)
Woman
signed and inscribed 'SOUVENIR TO TROVA from de Kooning' (lower left)
graphite on paper
13 x 10 in. (33 x 25.4 cm.)
Drawn circa 1949.
Provenance
Ernest Trova, St. Louis, acquired directly from the artist, 1953
His sale; Christie’s, New York, 15 May 2003, lot 116
Acquired at the above sale by the present owner
Literature
U. Kultermann, Trova, New York, 1978, p. 17, no. 6 (illustrated as Untitled).
A. Kagan, Trova, St. Louis, 1987, p. 33, no. 6 (illustrated as Untitled).
G. Cooperman, “The Man Who Made an Icon,” April 2009, St. Louis Magazine, St. Louis, p. 104.
Sale Room Notice
Please note this work has been requested for the upcoming Marino Marini exhibition at the Center for Italian Modern Art, New York from October 2018-June 2019.

Lot Essay

"[Painting women] did one thing for me: it eliminated composition, arrangement, relationships, light--all this silly talk about line, color and form--because that was the thing I wanted to get hold of...Painting the Woman is a thing in art that has been done over and over--the idol, Venus, the nude. The Woman became compulsive in the sense of not being able to get hold of it--it really is very funny to get stuck with a woman's knees, for instance. You say 'What the hell am I going to do with that now?' it's really ridiculous. A lot of people paint a figure because they feel it ought to be done, because since they're human beings themselves, they feel they ought to make another one, a substitute. I haven't got that interest at all. It became a problem of picture painting, because the very fact that it had words connected with it--'figure of a woman'--made it more precise." - Willem De Kooning in 'Content is a Glimpse', quoted in Willem De Kooning. The North Atlantic Light 1960-1983, Eindhoven 1983, pp. 77-79. 

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