A LACQUERED WOOD INK STONE AND EMBELLISHED STAND AND COVER
A LACQUERED WOOD INK STONE AND EMBELLISHED STAND AND COVER
A LACQUERED WOOD INK STONE AND EMBELLISHED STAND AND COVER
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A LACQUERED WOOD INK STONE AND EMBELLISHED STAND AND COVER

DAOGUANG PERIOD; STAND SIGNED LU KUISHENG (?-1850)

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A LACQUERED WOOD INK STONE AND EMBELLISHED STAND AND COVER
DAOGUANG PERIOD; STAND SIGNED LU KUISHENG (?-1850)
The top of the ink stone has a deep ink well surrounded by a raised border, the reverse with a concave cavity transitioning into a convex semi-sphere. Accompanied by a fitted lacquered stand inscribed with a square maker’s mark on the underside reading, Lu Kuisheng zhi, ‘made by Lu Kuisheng’, and a lacquered cover inlaid with various vessels in different materials including lapis lazuli and mother-of-pearl.
7 ¾ in. (19.6 cm.) wide

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Priscilla Kong
Priscilla Kong

Lot Essay

Lu Kuisheng (? – 1850) was a native of Yangzhou and hailed from a family known for making lacquer wares. Lu Kuisheng himself was particularly famous for making the current type of lacquered wood ink stones, which are distinguished by their lightness and resistance to wear, and by the elegantly decorated fitted boxes, or stands with covers. The Shanghai Museum has a collection of similar ink stones by Lu Kuisheng, including a round ink stone accompanied by a stand bearing an almost identical mark to the current example, see Literatis Farmland: Selected Ink-stones in the Collection of Shanghai Museum, Shanghai, 2015, p. 275, no. 6-95.

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