Lot Essay
Henry-Daniel Capt (1773-ca 1840)
One of the most famous Swiss automata makers, Henry-Daniel Capt came from a wealthy family, his father was a member of the Grand Conseil of the Canton de Vaud. In his youth, he worked for a legendary maker of large automata, Jaquet Droz. When settled on his own and established, in 1802, a partnership with his brother in law, Isaac Daniel Piguet, his watches showed a clear Droz’ influence. After 1811, when Piguet joined Philippe Meylan, Capt worked on his own, creating his most spectacular pieces. He sometimes also would supply the new firm of his brother in law, Piguet & Meylan, as well as some others, which is the reason why his watches are rarely signed. This watch is one of only four known from Capt’s musical erotic automata collection that was signed by him. Another one, although not so splendid, No. 422, is in the Swiss National Museum (Inv. LM 74729).
In 1815 he was listed in Geneva as a horloger-mécanicien, établisseur, with many workmen. This watch is from that period, with a modern (at the time) form of the cock, the enamel painted by the same artist who enameled many cases for Piguet & Meylan and the musical mechanism driving the automaton whose figures “dance” to the music. According to research, the most recent Christie's sale of a similar Capt pocket watch realized 146,500 Swiss francs, in 2013.
One of the most famous Swiss automata makers, Henry-Daniel Capt came from a wealthy family, his father was a member of the Grand Conseil of the Canton de Vaud. In his youth, he worked for a legendary maker of large automata, Jaquet Droz. When settled on his own and established, in 1802, a partnership with his brother in law, Isaac Daniel Piguet, his watches showed a clear Droz’ influence. After 1811, when Piguet joined Philippe Meylan, Capt worked on his own, creating his most spectacular pieces. He sometimes also would supply the new firm of his brother in law, Piguet & Meylan, as well as some others, which is the reason why his watches are rarely signed. This watch is one of only four known from Capt’s musical erotic automata collection that was signed by him. Another one, although not so splendid, No. 422, is in the Swiss National Museum (Inv. LM 74729).
In 1815 he was listed in Geneva as a horloger-mécanicien, établisseur, with many workmen. This watch is from that period, with a modern (at the time) form of the cock, the enamel painted by the same artist who enameled many cases for Piguet & Meylan and the musical mechanism driving the automaton whose figures “dance” to the music. According to research, the most recent Christie's sale of a similar Capt pocket watch realized 146,500 Swiss francs, in 2013.