JEAN ROYERE (1902-1981)
Please note this lot will be moved to Christie’s F… Read more In Focus: Property from the Collection of Brad Grey
JEAN ROYERE (1902-1981)

A SET OF FOUR 'YO-YO' BAR STOOLS, 1950s

Details
JEAN ROYERE (1902-1981)
A SET OF FOUR 'YO-YO' BAR STOOLS, 1950s
painted wrought iron, leather upholstery
30 ½ in. (77.5 cm.) high, each
Provenance
Galerie Neo-Senso, Paris (three stools);
Christie's New York, 7 June 2000, lot 188 (one stool);
Christie's New York, 13 June 2008, lot 243;
Christie's New York, 10 June 2015, lot 111;
Acquired from the above by the present owner.
Literature
For other examples of this model illustrated:
Exhibition catalogue, Jean Royère, Décorateur à Paris, Musée des Arts Décoratifs, Paris, 1999, pp. 68-69;
P.-E. Martin-Vivier, Jean Royère, Paris, 2017, pp. 122-123;
Galerie Jacques Lacoste, Galerie Patrick Seguin, Jean Royère, Paris, 2012, vol. 1. p. 200, vol. 2, p. 56.
Special Notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

Lot Essay

Royère first introduced the 'Yo-Yo' design in 1955 at the Salon des Artistes
Décorateurs, where he presented his 'Charme de Paris' bedroom. He
incorporated the trademark ring element in a wide variety of objects, ranging
from andirons to lighting, chairs, cabinets and tables. Here, employed as feet,
they enliven the legs and cleverly accentuate the lines of the overall design.
With its playful motif, simple yet elegant, the series typifies Royère's credo of
imagination triumphing traditional influences: "Our role as designers is to put
the client on guard against lapses in taste, and our duty is to refuse anything
that might be, let us say, compromising." (Jean Royère, December 1963)

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