ZARINA (B. 1937)
ZARINA (B. 1937)
ZARINA (B. 1937)
3 More
ZARINA (B. 1937)
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PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION, NEW YORK
ZARINA (B. 1937)

Atlas of my World

Details
ZARINA (B. 1937)
Atlas of my World
numbered, signed, dated and titled '10/20 Zarina March 2001 Atlas of my world' (lower edge)
woodcut printed on handmade Indian paper
9 x 11 3/8 in. (23 x 29 cm.) plate; 11 x 13 3/8 in. (27.9 x 34 cm.) sheet smallest;
15 1/8 x 12 5/8 in. (38.5 x 32 cm.) plate; 17 1/8 x 13 ¾ in. (43.6 x 35 cm.) sheet largest
Executed in 2001; number ten from an edition of twenty; six prints on paper
6
Provenance
Bodhi Art, New York
Acquired from the above by the present owner
Literature
Zarina - Mapping the Dislocations, exhibition catalogue, New York, 2005 (another edition illustrated, unpaginated)
Weaving Memory, 1990-2006, exhibition catalogue, Mumbai, 2007 (another edition illustrated, unpaginated)
Zarina: Paper Like Skin, exhibition catalogue, New York, 2012 (another edition illustrated, unpaginated)
Exhibited
New York, Bose Pacia, Zarina - Mapping the Dislocations, 2005 (another edition)
Mumbai, Bodhi Art, Zarina: Weaving Memory, 1990-2006, 2007 (another edition)
Los Angeles, Hammer Museum; New York, Solomon R. Guggenheim Museum, Chicago, Art Institute of Chicago, Zarina: Paper Like skin, September 2012 - September 2013 (another edition)

Brought to you by

Nishad Avari
Nishad Avari

Lot Essay

Frequently, Zarina's work explores the tenuous presence of geographical boundaries, and the ambiguous definition of words like 'nation' and 'home'. Playing upon the simultaneous ability of borders to divide and unite, the concept of cartography assumes an increased significance for the artist considering both her youth in pre-partitioned India and her unique conception of nationality and origin. Her extensive travels through Europe, the Middle East, Latin America and Asia have eroded the distinctions between place, home and location, leading Zarina to call more than twenty different cities and towns her 'home'. Influenced by the work of conceptual artists like Lucio Fontana, Yves Klein and Jean Arp as well as the minimal sculptures of Richard Serra, her work employs complex thought processes to produce clean, uncomplicated art.

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