Details
PAUL STRAND (1890–1976)
Man, Five Points Square, New York, 1916
gelatin silver print, mounted on paper, printed 1950s
annotated 'master' and '#8 Vol I' by Hazel Strand in pencil (mount, verso)
image/sheet: 6 1/2 x 7 in. (16.5 x 17.7 cm.)
mount: 7 x 7 1/2 in. (17.7 x 19 cm.)
Provenance
Paul Strand Archive, Aperture Foundation;
Galerie zur Stockeregg, Zürich;
Twenty Years: Celebrating Galerie zur Stockeregg, rich, Christie's, New York, October 4, 1999, lot 39;
acquired from the above sale by the present owner.
Literature
Alfred Stieglitz, Camera Work, no. 49, June 1917, pl. V.
Kaspar Fleischmann, Paul Strand, Galerie zur Stockeregg, Zurich, 1987, pl. 13, p. 34.
Sarah Greenough, Paul Strand: An American Vision, Aperture Foundation Inc., New York, 1990, p. 37.
Maria Morris Hambourg, Paul Strand Circa 1916, The Metropolitan Museum of Art, New York, 1998, pl. 46. n.p.
Calvin Tomkins, Paul Strand: Sixty Years of Photographs, Aperture, New York, 2009, p. 38.

Lot Essay

Man, Five Points Square, New York was originally printed as a photogravure in Camera Work, 1917. A haunting portrait, like Blind Woman (Lot 12), this image radically broke from convention, presenting an intense, intimate close-up of an unsuspecting individual, on the street, and allegedly caught mid-thought.

There are five known prints in this cropping: one platinum print, originally in the Jedermann Collection and later acquired by the Fotomuseum Winterthur, Switzerland; two gelatin silver prints—one from 1945 and another the 1960s—in the collection of the Philadelphia Museum of Art; and a fourth gelatin silver print in a private collection. This is the fifth known print to exist. The last time a gelatin silver print of this image appeared at auction was 1999.

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