.jpg?w=1)
Clearing Winter Storm, Yosemite National Park, California, 1938
Details
ANSEL ADAMS (1902–1984)
Clearing Winter Storm, Yosemite National Park, California, 1938
gelatin silver print, mounted on board, printed 1973–1977
signed in pencil (mount, recto); stamped Carmel credit [BMFA 11] with title and date 'ca. 1944' in ink (mount, verso)
image/sheet: 15 3/4 x 19 1/2 in. (40 x 49.5 cm.)
mount: 22 x 28 in. (55.9 x 71.1 cm.)
Clearing Winter Storm, Yosemite National Park, California, 1938
gelatin silver print, mounted on board, printed 1973–1977
signed in pencil (mount, recto); stamped Carmel credit [BMFA 11] with title and date 'ca. 1944' in ink (mount, verso)
image/sheet: 15 3/4 x 19 1/2 in. (40 x 49.5 cm.)
mount: 22 x 28 in. (55.9 x 71.1 cm.)
Provenance
Pace/MacGill Gallery, New York;
acquired from the above by the present owner before 1988.
acquired from the above by the present owner before 1988.
Literature
Nancy Newhall, Ansel Adams: The Eloquent Light, Sierra Club, San Francisco, 1963, pp. 88-89.
Ansel Adams, Examples: The Making of 40 Photographs, Little, Brown and Co., New York, 1983, p. 102.
James Alinder (ed.), Ansel Adams: 1902-1984 (Untitled 37), The Friends of Photography, San Francisco, 1984, p. 34.
Exhibition catalogue, On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography, National Gallery of Art, Washington D.C., 1989, fig. 13, p. 247.
Ansel Adams and Paul Brooks, Yosemite and the Range of Light, Little, Brown and Co., New York, 1992, cover and frontispiece.
John Szarkowski, Ansel Adams at 100, Little, Brown and Co., New York, 2001, pl. 89.
Andrea Stillman, Looking at Ansel Adams: The Photographs and the Man, Little, Brown and Co., New York, 2012, p. 102.
Ansel Adams, Examples: The Making of 40 Photographs, Little, Brown and Co., New York, 1983, p. 102.
James Alinder (ed.), Ansel Adams: 1902-1984 (Untitled 37), The Friends of Photography, San Francisco, 1984, p. 34.
Exhibition catalogue, On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography, National Gallery of Art, Washington D.C., 1989, fig. 13, p. 247.
Ansel Adams and Paul Brooks, Yosemite and the Range of Light, Little, Brown and Co., New York, 1992, cover and frontispiece.
John Szarkowski, Ansel Adams at 100, Little, Brown and Co., New York, 2001, pl. 89.
Andrea Stillman, Looking at Ansel Adams: The Photographs and the Man, Little, Brown and Co., New York, 2012, p. 102.
Exhibited
Ithaca, New York, Herbert F. Johnson Museum of Art, Cornell University, An American Portrait: Photographs from the Collection of Diann and Thomas Mann, April 1–June 12, 1994, no. 79.