Antony Gormley (b. 1950)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM AN AUSTRIAN COLLECTION OF CONTEMPORARY ART
Antony Gormley (b. 1950)

Meme XCII

Details
Antony Gormley (b. 1950)
Meme XCII
incised with the artist's initials and date 'AMDG 2010' (on the underside)
cast iron
3 ½ x 6 ¼ x 3 ½in. (8.9 x 16 x 8.9cm.)
Executed in 2010
Provenance
White Cube.
Acquired from the above by the present owner in 2014.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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Alexandra Werner
Alexandra Werner

Lot Essay

A ‘meme’ is a cultural analogue to a gene: a form that is transmitted in thought or behaviour from one body to another, responding to conditional environments. It is self-replicating and capable of mutation. Using the miniature or model to allow the totality of a body to be seen at once, Antony Gormley’s ‘Memes’ replace anatomy with the formal language of architecture and construct volumes that articulate a range of 33 different body postures. These small works in solid iron use a formal geometric language: each sculpture is made up of 27 blocks to articulate each unique pose. The ambition of these works, in Gormley’s words, ‘is to make intelligible forms that form an abstract lexicon of body-posture, which nevertheless carry the invitation of empathy and the transmission of states of mind.’

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