Byron Browne (1907-1961)
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Byron Browne (1907-1961)

Salute Each Time the Cock Crows

Details
Byron Browne (1907-1961)
Salute Each Time the Cock Crows
signed 'Byron Browne' (lower right)--signed again and dated '1940' (on the reverse)
oil on canvas
48 x 60 in. (121.9 x 152.4 cm.)
Painted in 1940.
Provenance
The artist.
Raymond Ardsley, New York.
Estate of the artist.
[With]Washburn Gallery, New York.
Acquired by the late owner from the above, 1980.
Literature
Archives of American Art, Bryon Browne Papers, roll NBB1, frames 670-71; roll 97, frames 71 (dated 1944), 217, 218.
"The Passing Shows/Byron Browne," Art News, vol. 43, December 15, 1944, p. 9, illustrated.
Exhibited
New York, Pinacotheca Galleries, Byron Browne, December 12, 1944-January 1, 1945, no. 3.
New York, Washburn Gallery, Abstract Art from 1930-1940: Influence and Development, June 5-July 20, 1979, p. 7.
St. Louis, Missouri, St. Louis Art Museum; Honolulu, Hawaii, Honolulu Academy of Arts; Boston, Massachusetts, Museum of Fine Arts, The Ebsworth Collection: American Modernism, 1911-1947, November 20, 1987-June 5, 1988, pp. 58-59, 199, no. 7, illustrated.
Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.

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Lot Essay

With its style dramatically shifting across its vertical axis, Salute Each Time the Cock Crows of 1940 reflects the key influences of Byron Browne's career. As demonstrated by the abstracted right side of the composition, in the 1930s Browne was a founding member of the American Abstract Artists and closely associated with artists including Arshile Gorky and Willem de Kooning. By contrast, the left, more classical part of the painting pays clear homage to the art of Pablo Picasso. Douglas Webster reflects, "His paintings are similar in tone and iconography to that of Picasso's of the same period because Browne assimilated the style and explored the same sources as Picasso, particularly Ingres and the Archaic Greek sculpture. Later he would draw inspiration from a wide variety of 'primitive' sources such as the Easter Island heads..." Combining these two drastically different styles into one work, Salute Each Time the Cock Crows demonstrates how "Byron Browne was a rebel from the onset, a revolutionary and harbinger of the future of art in this country." (Byron Browne: Selected Works, 1932-1952, exhibition catalogue, Scottsdale, Arizona, 1982, p. 3)

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