JOSEPH CERACCHI (1751-1801), CIRCA 1780
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JOSEPH CERACCHI (1751-1801), CIRCA 1780

PORTRAIT OF A BOY

Details
JOSEPH CERACCHI (1751-1801), CIRCA 1780
PORTRAIT OF A BOY
Marble profile relief; signed 'Joh. Ceracchi fect.' to truncation; in a George III oval fluted giltwood frame
25½ in. (64.8 cm.) high, overall
Provenance
Roderick Cameron, Esq.
Henry Myron Blackmer II, Athens.
The Manor House at Clifton Hampden, Home of
Christopher Gibbs, The Manor House at Clifton Hampden, Christie's, 25-26 September 2000, lot 47, where acquired.
Special Notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Lot Essay

The Rome-trained sculptor Joseph Ceracchi (d. 1801), through a recommendation from Horace Mann in Venice, moved to London in 1773. He was established in the workshops of Agostino Carlini R.A. (d. 1790) and executed work for both Sir William Chambers and Robert Adam, joint architects to George III. He was celebrated for his portrait busts and during the three years before his departure from London in 1779, exhibited twelve works at the Royal Academy. This superb portrait of a youth is likely to be one of the pair of 'young noblemen' medallions that he exhibited in 1777. His contemporary medallion of Dr. Joseph Priestly (d. 1779) was executed for Josiah Wedgwood's series 'Illustrious Moderns' (see P. Masini, Giuseppe Ceracchi, Exhibition at the Palazzo dei Conservatori, Rome, 1989, no. 2.).

Henry Myron Blackmer II was renowned for his extraordinary collection of books, paintings, antiquities and furniture, all of which reflected his passion for not just Classical style and Antiquity, but also Byzantium and the Ottoman Empire. The Neo-classical house he built for himself in Athens when he moved there in 1963, commanded a spectacular view of the Parthenon.

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