Lot Essay
Tiffany Studios produced its rare ‘Pond Lily’ leaded-glass table lamp for a
brief period from about 1902 until 1906. We date the present lot, an early
triumph, to 1903 due to the five-digit production number (29555) stamped
on its base. The model was later listed as number 344 in Tiffany’s 1906
catalogue.
A highly collectible form, the ‘Pond Lily’ resides in five permanent museum
collections including The Metropolitan Museum of Art (New York, NY), The
Neustadt Collection of Tiffany Glass (Queens, NY), the Virginia Museum
of Fine Arts (Richmond, VA), the Los Angeles County Museum of Art (Los
Angeles, CA), and the Chrysler Museum of Art (Norfolk, VA). Eight other
known examples are held in private collections.
Among these extant lamps, the present lot is one of the finest due its
artistic glass selection, the significant patina of its bronze base, and the
strong synergy between base and shade, which depicts pond lily stems,
leaves and flowers floating in water. Clara Driscoll (1861-1944), head of
Tiffany's Women’s Glass Cutting Department, would have overseen the
glass selection; women from her studio (informally known as “Tiffany Girls”),
would have executed the shade.
Inspired by the flora of Louis Comfort Tiffany's famed lily pond at The
Briars, his country house on Long Island, the ‘Pond Lily’ was a natural
evolution from the blown-glass shades of Tiffany's popular ‘Lily’ lamp, a
highlight of his 1902 Turin Exposition display.
This lot previously sold 9 December 1989 at Christie’s New York, where
it fetched $550,000, then the world auction record for a work by Tiffany
Studios.
brief period from about 1902 until 1906. We date the present lot, an early
triumph, to 1903 due to the five-digit production number (29555) stamped
on its base. The model was later listed as number 344 in Tiffany’s 1906
catalogue.
A highly collectible form, the ‘Pond Lily’ resides in five permanent museum
collections including The Metropolitan Museum of Art (New York, NY), The
Neustadt Collection of Tiffany Glass (Queens, NY), the Virginia Museum
of Fine Arts (Richmond, VA), the Los Angeles County Museum of Art (Los
Angeles, CA), and the Chrysler Museum of Art (Norfolk, VA). Eight other
known examples are held in private collections.
Among these extant lamps, the present lot is one of the finest due its
artistic glass selection, the significant patina of its bronze base, and the
strong synergy between base and shade, which depicts pond lily stems,
leaves and flowers floating in water. Clara Driscoll (1861-1944), head of
Tiffany's Women’s Glass Cutting Department, would have overseen the
glass selection; women from her studio (informally known as “Tiffany Girls”),
would have executed the shade.
Inspired by the flora of Louis Comfort Tiffany's famed lily pond at The
Briars, his country house on Long Island, the ‘Pond Lily’ was a natural
evolution from the blown-glass shades of Tiffany's popular ‘Lily’ lamp, a
highlight of his 1902 Turin Exposition display.
This lot previously sold 9 December 1989 at Christie’s New York, where
it fetched $550,000, then the world auction record for a work by Tiffany
Studios.