Pepper No. 30, 1930
Details
EDWARD WESTON (1886–1958)
Pepper No. 30, 1930
gelatin silver print, printed later by Cole Weston
signed, titled, dated, and annotated '30 P' in pencil by Cole Weston, stamped Edward Weston credit (mount, verso)
image/sheet: 9 3/8 by 7 3/8 in. (23.8 by 18.7 cm.)
mount: 15 x 13 1/4 in. (38.1 x 33.3 cm.)
Pepper No. 30, 1930
gelatin silver print, printed later by Cole Weston
signed, titled, dated, and annotated '30 P' in pencil by Cole Weston, stamped Edward Weston credit (mount, verso)
image/sheet: 9 3/8 by 7 3/8 in. (23.8 by 18.7 cm.)
mount: 15 x 13 1/4 in. (38.1 x 33.3 cm.)
Provenance
Witkin Gallery, New York;
acquired from the above by the present owner, 1978.
acquired from the above by the present owner, 1978.
Literature
Nancy Newhall, The Photographs of Edward Weston, The Museum of Modern Art, New York, 1946, p. 18.
Nancy Newhall (ed.), Edward Weston: The Flame of Recognition, Aperture Foundation, New York, 1965, p. 35.
Nancy Newhall (ed.), The Daybooks of Edward Weston, Aperture Foundation, New York, 1973, pl. 5, n.p.
Keith F. Davis, Edward Weston: One Hundred Photographs, The Nelson-Atkins Museum of Art, Kansas City, 1982, p. 20.
Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, Center for Creative Photography, Tucson, 1992, fig. 606/1930.
Amy Conger, Edward Weston: The Form of the Nude, Phaidon Press Limited, London, 2005, p. 69.
Nancy Newhall (ed.), Edward Weston: The Flame of Recognition, Aperture Foundation, New York, 1965, p. 35.
Nancy Newhall (ed.), The Daybooks of Edward Weston, Aperture Foundation, New York, 1973, pl. 5, n.p.
Keith F. Davis, Edward Weston: One Hundred Photographs, The Nelson-Atkins Museum of Art, Kansas City, 1982, p. 20.
Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, Center for Creative Photography, Tucson, 1992, fig. 606/1930.
Amy Conger, Edward Weston: The Form of the Nude, Phaidon Press Limited, London, 2005, p. 69.
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Rebecca Jones