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(i) Jarvis; (ii) The Point II; (iii) Still Life, Grays Inn Road I; (iv) Ten-eight; (v) Casita; (vi) Palisades; (vii) Verrutschte Socke (Slipped Sock)
Details
Wolfgang Tillmans (b. 1968)
(i) Jarvis; (ii) The Point II; (iii) Still Life, Grays Inn Road I; (iv) Ten-eight; (v) Casita; (vi) Palisades; (vii) Verrutschte Socke (Slipped Sock)
(i) Jarvis
signed, titled, inscribed, numbered twice and dated 'Jarvis Ph 2.98 Pr WT 4.00 1/3+1 Wolfgang Tillmans 1998-47 1/3' (on the reverse)
c-print
image: 22½ x 15½in. (57.2 x 39.5cm.)
sheet: 23 7/8 x 20in. (60.7 x 50.7cm.)
Photographed in 1998 and printed in 2000, this work is number one from an edition of three plus one artist's proof
(ii) The Point II
signed, titled, inscribed, numbered and dated 'The Point II ph 6 96 pr. WT 5 97 Wolfgang Tillmans 3/3+1 96 57' (on the reverse)
c-print
image: 16 x 23 7/8in. (40.6 x 60.7cm.)
sheet: 20 x 23 7/8in. (50.7 x 60.7cm.)
Photographed in 1996 and printed in 1997, this work is number three from an edition of three plus one artist's proof
(iii) Still Life, Grays Inn Road I
signed, titled, inscribed, numbered twice and dated 'Still Life Grays Inn Road I Ph 6.99 Pr WT 4.00 1/3 Wolfgang Tillmans 1999-017 1/3' (on the reverse)
c-print
image: 16 x 23 7/8in. (40.6 x 60.7cm.)
sheet: 20 x 23 7/8in. (50.7 x 60.7cm.)
Photographed in 1999 and printed in 2000, this work is number one from an edition of three plus one artist's proof
(iv) Ten-eight
signed, titled, inscribed, numbered twice and dated 'ten-eight ph 8 99 pr WT 8 99 2/3+1 Wolfgang Tillmans 99-12-2/3' (on the reverse)
c-print
image: 23 7/8 x 16 7/8in. (60.7 x 42.9cm.)
sheet: 23 7/8 x 20in. (60.7 x 50.7cm.)
Photographed and printed in 1999, this work is number two from an edition of three plus one artist's proof
(v) Casita
signed, titled, inscribed, numbered twice and dated 'Casita Ph 5.95 Pr WT 4.00 1/3+1 Wolfgang Tillmans 1995-111 1/3' (on the reverse)
c-print
image: 23 7/8 x 16in. (60.7 x 40.5cm.)
sheet: 23 7/8 x 20in. (60.7 x 50.7cm.)
Photographed in 1995 and printed in 2000, this work is number one from an edition of three plus one artist's proof
(vi) Palisades
signed, titled, inscribed, numbered twice and dated 'Palisades Ph 9.99 Pr WT 4.00 1/3+1 Wolfgang Tillmans 1999-029 1/3' (on the reverse)
c-print
image: 22 5/8 x 15 7/8in. (57.5 x 40.4cm.)
sheet: 23 7/8 x 20in. (60.7 x 50.7cm.)
Photographed in 1999 and printed in 2000, this work is number one from an edition of three plus one artist's proof
(vii) Verrutschte Socke (Slipped Sock)
signed, titled, numbered twice and dated ‘Verrutschte Socke ph 3.89 pr WT 8.99 1/3+1 Wolfgang Tillmans 89-8-1/3’ (on the reverse)
c-print
image: 15 1/8 x 23 7/8in. (38.3 x 60.7cm.)
sheet: 20 x 23 7/8in. (50.7 x 60.7cm.)
Photographed in 1989 and printed in 1999, this work is number one from an edition of three plus one artist's proof
(i) Jarvis; (ii) The Point II; (iii) Still Life, Grays Inn Road I; (iv) Ten-eight; (v) Casita; (vi) Palisades; (vii) Verrutschte Socke (Slipped Sock)
(i) Jarvis
signed, titled, inscribed, numbered twice and dated 'Jarvis Ph 2.98 Pr WT 4.00 1/3+1 Wolfgang Tillmans 1998-47 1/3' (on the reverse)
c-print
image: 22½ x 15½in. (57.2 x 39.5cm.)
sheet: 23 7/8 x 20in. (60.7 x 50.7cm.)
Photographed in 1998 and printed in 2000, this work is number one from an edition of three plus one artist's proof
(ii) The Point II
signed, titled, inscribed, numbered and dated 'The Point II ph 6 96 pr. WT 5 97 Wolfgang Tillmans 3/3+1 96 57' (on the reverse)
c-print
image: 16 x 23 7/8in. (40.6 x 60.7cm.)
sheet: 20 x 23 7/8in. (50.7 x 60.7cm.)
Photographed in 1996 and printed in 1997, this work is number three from an edition of three plus one artist's proof
(iii) Still Life, Grays Inn Road I
signed, titled, inscribed, numbered twice and dated 'Still Life Grays Inn Road I Ph 6.99 Pr WT 4.00 1/3 Wolfgang Tillmans 1999-017 1/3' (on the reverse)
c-print
image: 16 x 23 7/8in. (40.6 x 60.7cm.)
sheet: 20 x 23 7/8in. (50.7 x 60.7cm.)
Photographed in 1999 and printed in 2000, this work is number one from an edition of three plus one artist's proof
(iv) Ten-eight
signed, titled, inscribed, numbered twice and dated 'ten-eight ph 8 99 pr WT 8 99 2/3+1 Wolfgang Tillmans 99-12-2/3' (on the reverse)
c-print
image: 23 7/8 x 16 7/8in. (60.7 x 42.9cm.)
sheet: 23 7/8 x 20in. (60.7 x 50.7cm.)
Photographed and printed in 1999, this work is number two from an edition of three plus one artist's proof
(v) Casita
signed, titled, inscribed, numbered twice and dated 'Casita Ph 5.95 Pr WT 4.00 1/3+1 Wolfgang Tillmans 1995-111 1/3' (on the reverse)
c-print
image: 23 7/8 x 16in. (60.7 x 40.5cm.)
sheet: 23 7/8 x 20in. (60.7 x 50.7cm.)
Photographed in 1995 and printed in 2000, this work is number one from an edition of three plus one artist's proof
(vi) Palisades
signed, titled, inscribed, numbered twice and dated 'Palisades Ph 9.99 Pr WT 4.00 1/3+1 Wolfgang Tillmans 1999-029 1/3' (on the reverse)
c-print
image: 22 5/8 x 15 7/8in. (57.5 x 40.4cm.)
sheet: 23 7/8 x 20in. (60.7 x 50.7cm.)
Photographed in 1999 and printed in 2000, this work is number one from an edition of three plus one artist's proof
(vii) Verrutschte Socke (Slipped Sock)
signed, titled, numbered twice and dated ‘Verrutschte Socke ph 3.89 pr WT 8.99 1/3+1 Wolfgang Tillmans 89-8-1/3’ (on the reverse)
c-print
image: 15 1/8 x 23 7/8in. (38.3 x 60.7cm.)
sheet: 20 x 23 7/8in. (50.7 x 60.7cm.)
Photographed in 1989 and printed in 1999, this work is number one from an edition of three plus one artist's proof
Provenance
arsFutura, Zurich.
Acquired from the above by the present owner in 2000.
Acquired from the above by the present owner in 2000.
Literature
D. Deitcher, Wolfgang Tillmans: Burg, London 1998 (another from the edition of (ii) illustrated in colour, unpaged).
Z. Felix and A. Sievert (eds.), Wolfgang Tillmans: Aufsicht, exh. cat., Hamburg, Deichtorhallen Hamburg, 2001-2002 (another from the edition of (v) illustrated in colour, p. 192, another from the edition of (vi) illustrated in colour, p. 175).
Wolfgang Tillmans: Portraits, New York 2002 (another from the edition of (i) illustrated in colour, p. 66).
Wolfgang Tillmans: If One Things Matters, Everything Matters, exh. cat., London, Tate Britain, 2003 (another from the edition of (i) illustrated in colour, p. 162, another from the edition of (ii) illustrated in colour, p. 118, another from the edition of (iii) illustrated in colour, p. 173, another from the edition of (iv) illustrated in colour, p. 171, another from the edition of (vi) illustrated in colour, p. 174, another from the edition of (vii) illustrated in colour, p. 23).
Z. Felix and A. Sievert (eds.), Wolfgang Tillmans: Aufsicht, exh. cat., Hamburg, Deichtorhallen Hamburg, 2001-2002 (another from the edition of (v) illustrated in colour, p. 192, another from the edition of (vi) illustrated in colour, p. 175).
Wolfgang Tillmans: Portraits, New York 2002 (another from the edition of (i) illustrated in colour, p. 66).
Wolfgang Tillmans: If One Things Matters, Everything Matters, exh. cat., London, Tate Britain, 2003 (another from the edition of (i) illustrated in colour, p. 162, another from the edition of (ii) illustrated in colour, p. 118, another from the edition of (iii) illustrated in colour, p. 173, another from the edition of (iv) illustrated in colour, p. 171, another from the edition of (vi) illustrated in colour, p. 174, another from the edition of (vii) illustrated in colour, p. 23).
Exhibited
Wolfsburg, Kunstforum Wolfsburg, Wolfgang Tillmans. Wer Liebe wagt lebt morgen, 1996, p. 4 (another version of (vii) illustrated in colour, p. 9).
Stockholm, Moderna Museet, Wolfgang Tillmans, 2012-2013 (another version of (vi) exhibited). This exhibition later travelled to Dusseldorf, Kunstsammlung Nordrhein-Westfalen.
Porto, Museu de Arte Contemporânea de Serralves, Wolfgang Tillmans: On the Verge of Visibility, 2016 (another version of (v) exhibited).
Stockholm, Moderna Museet, Wolfgang Tillmans, 2012-2013 (another version of (vi) exhibited). This exhibition later travelled to Dusseldorf, Kunstsammlung Nordrhein-Westfalen.
Porto, Museu de Arte Contemporânea de Serralves, Wolfgang Tillmans: On the Verge of Visibility, 2016 (another version of (v) exhibited).
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
Further Details
Another version of (i) is in the collection of the Kemper Art Museum, St. Louis.
Another version of (v) is in the collection of the Museum of Modern Art, New York.
Another version of (v) is in the collection of the Museum of Modern Art, New York.
Brought to you by
Zoë Klemme