Lot Essay
Georg Baselitz’s upside-down imagery… challenges not only the viewer’s imagination but the entire tradition of Western illusionism. By boldly turning a figure on its ear, so to speak, Baselitz plays havoc with time-honoured expectations of what a picture should be, while leaving tantalizing visible traces of a recognizable representation. In his monumental linoleum cuts… Baselitz fine-tunes [the] delicate balances [between realism and abstraction] as he eliminates established boundaries between painting and printing.’
– Audrey Isselbacher
– Audrey Isselbacher