A LARGE NAPOLEON III ORMOLU PENDULE À CERCLES TOURNANTS
PROPERTY FROM AN IMPORTANT EUROPEAN COLLECTION
A LARGE NAPOLEON III ORMOLU PENDULE À CERCLES TOURNANTS

ATTRIBUTED TO DENIERE, AFTER THE MODEL BY JEAN-FRANÇOIS FORTY, PARIS, THIRD QUARTER 19TH CENTURY

Details
A LARGE NAPOLEON III ORMOLU PENDULE À CERCLES TOURNANTS
ATTRIBUTED TO DENIERE, AFTER THE MODEL BY JEAN-FRANÇOIS FORTY, PARIS, THIRD QUARTER 19TH CENTURY
Modeled as lidded vase, raised on the shoulders of two putto terms, on a shaped rectangular base with frieze plaques depicting playful putti to one side, the other with scrolls
34 in. (86.3 cm.) high, 25 in. (63.5 cm.) wide, 11 ½ in. (29.2 cm.) deep

Lot Essay

The present clock may be attributed to the Denière manufactory on the basis of a preparatory drawing for a clock by the eighteenth-century designer Jean-François Forty (illustrated inset and in L. Tardy, French Clocks the World Over, Paris, 1981, vol. II, p. 86) which by the 19th century was in the collection of the celebrated bronzier, Denière. It is known that the firm made a number of copies of the clock from this drawing and the present lot, with its refined neoclassical design and exquisitely chased mounts, is likely such an example. Another clock of slightly different proportions by an unidentified maker is illustrated in H. Ottomeyer, P. Pröschel et al., Vergoldete Bronzen, Munich, 1986, vol. I, p. 427, fig. 6.13.17. However, the close resemblance of the present lot to Forty’s drawing reinforce its ties to the famed manufactory, whose work was of the highest order.
In his Cahier de six Pendules à l'usage des Fondeurs, circa 1770, a progression in Forty's design for the present clock can be seen; commencing in preparatory sketches of a modest design with simplified vase-form clock case and ultimately flourishing into a profusion of decoration, complete with elaborate base and portrait medallion.

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