FENDER ELECTRIC INSTRUMENT COMPANY, FULLERTON, 1950
FENDER ELECTRIC INSTRUMENT COMPANY, FULLERTON, 1950
FENDER ELECTRIC INSTRUMENT COMPANY, FULLERTON, 1950
FENDER ELECTRIC INSTRUMENT COMPANY, FULLERTON, 1950
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FENDER ELECTRIC INSTRUMENT COMPANY, FULLERTON, 1950

A SOLID-BODY ELECTRIC GUITAR, BROADCASTER

Details
FENDER ELECTRIC INSTRUMENT COMPANY, FULLERTON, 1950
A SOLID-BODY ELECTRIC GUITAR, BROADCASTER
The peghead with decal logo Fender BROADCASTER, the bridge plate stamped FENDER PAT. PEND. 0040, with original hardshell case bearing a label inscribed FENDER BROADCASTER #0040 '50 and SERIAL NO. DG1011; accompanied by a facsimile copy of the UK customs receipt, dated 9th March 1980
Length of back 15 ¾ in. (40 cm.)
Literature
Bacon, T. and Day, P. The Ultimate Guitar Book, London, 1991, illus. pp. 62-63.
Special Notice
Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information.

Lot Essay

Purchased in late 1979 by David Gilmour’s longtime guitar technician Phil Taylor from Frank Lucido’s California Guitar, Ventura, California, during the final recording and mixing sessions for Pink Floyd’s 1979 album The Wall in Los Angeles, the guitar was subsequently sold to David Gilmour in 1983 and kept for studio use.

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