A FRENCH PARCEL-GILT AND ORMOLU-MOUNTED MAHOGANY HARP
A FRENCH PARCEL-GILT AND ORMOLU-MOUNTED MAHOGANY HARP
A FRENCH PARCEL-GILT AND ORMOLU-MOUNTED MAHOGANY HARP
A FRENCH PARCEL-GILT AND ORMOLU-MOUNTED MAHOGANY HARP
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This lot will be removed to Christie’s Park Royal.… Read more
A FRENCH PARCEL-GILT AND ORMOLU-MOUNTED MAHOGANY HARP

BY ERARD, PARIS, SERIAL NUMBER 4443, 1925

Details
A FRENCH PARCEL-GILT AND ORMOLU-MOUNTED MAHOGANY HARP
BY ERARD, PARIS, SERIAL NUMBER 4443, 1925
The fluted column surmounted by scrolling acanthus above a serpentine base on giltwood scroll feet, the brass-mounted neck engraved 'Erard/ 13 Rue de Mail, PARIS' to one side and 'ERARD/ 4443' with wood carrying case by Blondel et Cie. Paris, bearing various stickers, one sticker marked 'ORCHESTRE DE LA/ SUISSE ROMANDE/ GENÈVE/ FRAGILE'
72 ½ in. (184 cm.) high; 38 ½ in. (98 cm.) wide; 22 ½ in. (57 cm.) deep, the harp
79 in. (200.7 cm.) high; 46 ½ in. (118 cm.) wide; 21 ¾ in. (55 cm.) deep, the case
Provenance
Madame A. de Sanctis Barriera, Geneva (1926).
Special Notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Brought to you by

Giles Forster
Giles Forster

Lot Essay

Listed in Erard's manufacturing records as 'Harpe style Louis XVI. 47 cordes/ en acajou', the present lot was completed 31 December 1925 and quickly sold thereafter to a Madame A. de Sanctis Barriera from Geneva - presumably a relation to a member of the Swiss orchestra whose sticker remains on the original case, as a M. de Sanctis was a recorded cellist in the orchestra at this time.

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