Abraham Walkowitz (1878-1965)
The Michael Scharf Family Collection
Abraham Walkowitz (1878-1965)

Cityscape

Details
Abraham Walkowitz (1878-1965)
Cityscape
watercolor on paper
image, 34 ½ x 35 in. (87.6 x 88.9 cm.); overall, 36 ¼ x 36 ½ in. (92.1 x 92.7 cm.)
Executed circa 1914.
Provenance
Zabriskie Gallery, New York.
Mr. and Mrs. Monte Getler, Roslyn, New York, by 1974.
Vanderwoude Tannenbaum Gallery, New York.
Acquired by the present owner from the above, 1988.
Literature
W.C. Agee, et al., The Scharf Collection: A History Revealed, New York, 2018, pp. 78, 84, 183, pl. 47, illustrated.
Exhibited
Salt Lake City, Utah, University of Utah, Utah Museum of Fine Arts; Wichita, Kansas, Wichita State University, Edwin A. Ulrich Museum of Art, Abraham Walkowitz Retrospective, October 27, 1974-June 22, 1975, p. 49, no. 84 (as New York City).
Andover, Massachusetts, Phillips Academy, Addison Gallery of American Art, Andover Alumni Collectors, April 29-July 31, 1995.

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William Haydock
William Haydock

Lot Essay

Born in Russia, Abraham Walkowitz met Alfred Stieglitz in 1912 and exhibited in his first show at Stieglitz's gallery 291 that December. Martica Sawin writes that Walkowitz's semi-abstract cityscapes, including the present work, "were probably completed following his return from a second trip to Europe in the summer of 1914, since they are first mentioned in reviews of his 1915 show. The city drawings and watercolors are primarily composed of jagged sequences of vertical or diagonal lines with occasional serpentine swirls that lend a restless, dynamic character...In 1914, when Walkowitz was making these works, New York was not yet a conglomeration of skyscrapers. The dizzying upward thrust of buildings that Walkowitz drew had barely begun. During his 1914 trip to Italy he might have seen Futurist architectural drawings like those of Antonio Saint'Elia [1888-1916], which inspired his futuristic vision. The momentum in each of his city works seems to draw on a pervasive source of energy." ("Abraham Walkowitz: The Years at 291," The Scharf Collection: A History Revealed, New York, 2018, p. 78)

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