Adolph Gottlieb (1903-1974)
Adolph Gottlieb (1903-1974)

Yellow Ochre

Details
Adolph Gottlieb (1903-1974)
Yellow Ochre
signed and dated 'Adolph Gottlieb 1970' (lower right); stamped with the Adolph and Esther Gottlieb Foundation stamp (on the reverse); stamped again three times with the Adolph and Esther Gottlieb Foundation stamp (on the overlap)
acrylic on paper stretched on wood strainer
30 1/8 x 40 1/8 in. (76.5 x 101.9 cm.)
Painted in 1970.
Provenance
Adolph and Esther Gottlieb Foundation, New York
Pace Gallery, New York
Private collection, London
Pace Gallery, New York
Acquired from the above by the present owner
Literature
K. Lawson, “Painting Circles Around Art,” Phoenix Gazette, 12 March 1986 (illustrated).
Exhibited
New York, Marlborough Gallery, Adolph Gottlieb: Works on Paper 1970, February-March 1971.
Washington D.C., Corcoran Gallery of Art; Tampa Museum of Art; Toledo Museum of Art; Austin, University of Texas, Archer M. Huntington Art Gallery; Flint Institute of Art; Indianapolis Museum of Art; Los Angeles County Museum of Art; Buffalo, Albright-Knox Art Gallery and The Tel Aviv Museum, Adolph Gottlieb: A Retrospective, April 1981-January 1983, p. 161, no. 111 (illustrated).
Allentown, Muhlenberg College, Center for the Arts, Adolph Gottlieb: Works on Paper, March-April 1984.
Scottsdale Center for the Arts; Savannah, Telfair Academy of Arts and Sciences; Fort Wayne Museum of Art; Miami, Art Museum at Florida International University; Youngstown, Ohio, Butler Institute of American Art and Baton Rouge, Louisiana Arts and Sciences Center, Adolph Gottlieb: Works on Paper, March 1986-March 1988, p. 63, no. 43 (illustrated).
Munich, ACA Galleries, Adolph Gottlieb, September-November 1995, no. 23 (illustrated).
Munich, American Contemporary Art Gallery, Geometric Forms in Abstraction, March-May 2001.
New York, Pace Gallery, In the Round, July-August 2014.

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Rachael White
Rachael White

Lot Essay

Rendered in an ethereal cream and dark amber with cerulean blue, deep green and ruby red orbs, Yellow Ochre is part of a limited body of work that includes twenty-five works on paper that Adolph Gottlieb stretched on a redwood strainer, all from 1970. The year is important and telling because it is the only year in which the artist created these types of stretched works on paper. Perhaps the series was done as an homage to his friend and fellow artist, Mark Rothko, who had commit suicide in February of that year. Rothko was known to use the same water-soaking technique with his works on paper. The technique involved saturating each sheet with water, then attaching it to a strainer so that the paper was evenly spread but not under pressure. As the paper dried, it shrank to tension, resulting in the panel which was then painted with acrylic paint with brushes and palette knives, resulting in a luscious yet smooth surface. As seen in Yellow Ochre, Gottlieb sometimes abraded the paper in specific areas to create more texture. What is left is a remarkable and delicate manipulation of color and texture. Yellow Ochre is presumably one of the only three known works from the series that is still mounted as the artist intended, making it an incredibly rare work from an emotionally-wrought and meaningful time period in Gottlieb’s career.

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