AN ENAMELLED AND GEM SET MODEL OF A PARROT
AN ENAMELLED AND GEM SET MODEL OF A PARROT

HYDERABAD, DECCAN, CIRCA 1775-1825

Details
AN ENAMELLED AND GEM SET MODEL OF A PARROT
HYDERABAD, DECCAN, CIRCA 1775-1825
Set with diamonds, rubies and emeralds and with a pendant emerald hanging from its beak, on a stand similarly decorated, base decorated with two central flowers in green and white enamel and four leaves in each corner
8 ¾ ins. (22.2 cm.) high
Provenance
Nizams of Hyderabad
Exhibited
The Miho Museum, Koka 2016, p.115, no.83
Grand Palais, Paris 2017, p.191, no.145
The Doge’s Palace, Venice 2017, p.221, no.151
The Palace Museum, Beijing 2018, p.243, no.155
de Young Legion of Honor, San Francisco 2018, p. 179, no. 89

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Rahul Kadakia
Rahul Kadakia

Lot Essay

Birds were considered a symbol of royalty at the Mughal court and at other provincial states in India. The Mughal Emperor Jahangir mentions being gifted a gem encrusted bird and Shah Jahan’s legendary peacock throne is thought to have had two jeweled peacocks on top of the canopy (Jaffer 2013, p.192). This gem-set and enameled parrot standing on a similarly decorated base is closely related to another known jewelled parrot (Beijing 2018, p.242, no.154). Both birds were probably made as a pair and were originally in the collection of the Nizams of Hyderabad. They were apparently part of a group of birds which were placed around the throne during durbar ceremonies (Paris 2017, p.190). Other comparable jeweled birds include the late 18th century huma bird from the canopy of Tipu Sultan’s throne, now in the Royal Collection, United Kingdom (RCIN 48482) and a large 17th century Mughal falcon in the Museum of Islamic Art, Doha (JE.69.2001; Tan, 2002, pp.8-15).

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