Henry John Stock (1853-1930)
These lots have been imported from outside the EU … Read more
Henry John Stock (1853-1930)

The Poet's Dream: 'The Pursuit of the Ideal'

Details
Henry John Stock (1853-1930)
The Poet's Dream: 'The Pursuit of the Ideal'
signed and dated 'H.J.STOCK 1881' (lower left)
watercolour with scratching out on paper
18 ½ x 21 ½ in. (47 x 54.5 cm.)
Provenance
Anonymous sale; Sotheby's, Belgravia, 29 July 1975, lot 224.
with Christopher Wood, London.
Exhibited
New York, Shepherd Gallery, The English Romantic Tradition, Autumn 1989, no. 129.
Special Notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Brought to you by

Sarah Reynolds
Sarah Reynolds

Lot Essay

Born in Greek Street, Soho in 1853, Henry John Stock studied at the St. Martin's School of Art and the Royal Academy Schools. During his early career, Stock supported himself by painting portraits, building up an impressive clientele among the aristocracy, but his main area of interest was always imaginative subjects. This interest was almost certainly ignited as a result of his going blind as a child. His eyesight was miraculously restored after being sent to live at Beaulieu, Hampshire. He drew inspiration from a wide variety of artistic and literary sources such as the Bible, Dante, Shakespeare and Wordsworth, the Pre-Raphaelites, Rembrandt, Blake and G. F. Watts.
Stock often chose to depict moments of divine inspiration and otherworldly vision. The present lot is similar in subject to his 1893 work The poet in the flames of first love, sold in these Rooms, 11 July 2017, lot 30. Here Stock explored a similar theme, where a young poet is visited by the beautiful muse of love, the source of his torment. Stock himself was a prolific author, and published several volumes of poetry. It is therefore likely that he personally identified with the poet protagonist of his paintings, choosing to illustrate the longed-for moment of sublime inspiration.

More from British & European Art: Victorian, Pre-Raphaelite & British Impressionist Art

View All
View All