TUNGA (1952-2016)
TUNGA (1952-2016)
TUNGA (1952-2016)
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TUNGA (1952-2016)
16 More
This lot will be removed to Christie’s Park Royal.… Read more
TUNGA (1952-2016)

Eye for an Eye

Details
TUNGA (1952-2016)
Eye for an Eye
32 pieces in plated bronze with iron stands, and mahogany board, 2005, number AP 2/3, one of three artist's proof sets aside from the edition of seven, published by RS & A. Ltd., London, within the original two wooden boxes
King & Pawn 140 mm.
Board 750 x 750 x 750 mm.
Literature
Yves Marek, Art échecs et mat, Editions de l’imprimerie nationale, Paris, 2008, p. 183 (p. 167, ill.).
George Dean, Chess Masterpieces. One thousand years of extraordinary chess sets, Harry N. Abrams, New York, 2010 (p. 265, ill.).
Exhibited
The Art of Chess, Gary Tatintsian Gallery, Moscow (exh. cat.), 2006 (p. 24-25, ill.).
32 Pieces: The Art of Chess, Reykjavik Art Museum, Iceland (exh. cat.), 24 January - 13 April 2009 (p. 88-91, ill.).
The Art of Chess, Dox Centre of Contemporary Art, Prague (exh. cat.), 2010 (p. 28, ill.).
Special Notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Lot Essay

Brazilian artist Tunga often creates work with exotic materials that focuses on the female body, sexuality and cultural rituals. To arrive at his Eye for an Eye chess set design the artist literally delved into the body as well as the cultural history of the game. He reasoned that there are thirty-two teeth in one’s mouth just as there are thirty-two chess pieces, and has presented them as oversized bronze casts on an elegant chessboard. In doing so, Tunga has created a naturally integrated and harmonious ensemble of the most durable forms in the human body while also associating chess play with the Freudian links between teeth and sexual anxieties.

This work is accompanied by a certificate issued by the publisher.

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