André Brasilier (France, b. 1929)
This Lot has been sourced from overseas. When au… Read more PROPERTY OF A PRIVATE LONDON COLLECTOR
André Brasilier (France, b. 1929)

Grand chevauchée du parc

Details
André Brasilier (France, b. 1929)
Grand chevauchée du parc
signed 'André Brasilier.' (lower right); twice signed, dated and inscribed 'Grand chevauchee du parc. André Brasilier. 2013 Grand chevauchee du parc. A.B. 2013' (on the stretcher)
oil on canvas
200 x 250.8 cm. (78 3⁄4 x 98 3⁄4 in.)
Painted in 2013
Provenance
Opera Gallery, London, by whom acquired directly from the artist.
Acquired from the above by the present owner in 2014.
Special Notice
This Lot has been sourced from overseas. When auctioned, such property will remain under “bond” with the applicable import customs duties and taxes being deferred unless and until the property is brought into free circulation in the PRC. Prospective buyers are reminded that after paying for such lots in full and cleared funds, if they wish to import the lots into the PRC, they will be responsible for and will have to pay the applicable import customs duties and taxes. The rates of import customs duty and tax are based on the value of the goods and the relevant customs regulations and classifications in force at the time of import.

Lot Essay

This work will be included in the forthcoming André Brasilier catalogue raisonné being prepared by Alexis Brasilier.

Set against an rich blue background, Grand chevauchée du parc evokes an enchanting world, charged with vitality, knightly valour and prowess. The chevaliers charge off in different directions, frolicking within the mystical trees and forming a radiating composition that is both wild and disciplined, lyrical and controlled at the same time. The shimmering gold leaf scattered across the canvas, reminiscent of shining armor, demonstrates the reflection of light dancing in-between the trees and the snow. The scene is brought to life by André Brasilier’s paint brush, demonstrating his undeniable talent for immersing viewers into his dream world with a sense of beauty in nature and the freedom of the animal in harmony with cerebral and restrained humanity, uniting as one in the horse and rider.

Discussing his work, Brasilier explained that: “A large canvas can even have an entrancing power over the person looking at it. Some subjects require grand proportions. But the choice of large format comes overall from my research into the spontaneity of gestures. When I paint, I want to feel life in my movements, as life is found in the gallop of a horse or in the undertow of the sea” (interview with André Brasilier in his workshop, www.brasilier.fr, September 2014). Grand chevauchée du parc exemplifies the artist’s statement perfectly with its grandeur and vigorous spontaneity.

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