HERNAN BAS (USA, B. 1978)
This Lot has been sourced from overseas. When au… Read more PROPERTY FROM A PRIVATE COLLECTION
HERNAN BAS (USA, B. 1978)

Untitled L #496

Details
HERNAN BAS (USA, B. 1978)
Untitled L #496
initialled and dated 'HB 06' (lower right)
oil and sand on canvas
30.5×22.9 cm. (12×9 in.)
Painted in 2006
Provenance
Fredric Snitzer Gallery, Miami.
Anon. Sale, Phillips New York, 29 February 2016, lot 289.
Acquired at the above sale by the present owner.
Special Notice
This Lot has been sourced from overseas. When auctioned, such property will remain under “bond” with the applicable import customs duties and taxes being deferred unless and until the property is brought into free circulation in the PRC. Prospective buyers are reminded that after paying for such lots in full and cleared funds, if they wish to import the lots into the PRC, they will be responsible for and will have to pay the applicable import customs duties and taxes. The rates of import customs duty and tax are based on the value of the goods and the relevant customs regulations and classifications in force at the time of import.

Brought to you by

Wei Shanshan
Wei Shanshan

Lot Essay

Under the glimmering spotlight, a young man is shown performing on stage, his body heavily tilted backwards to suggest movement. The depiction of the lively atmosphere is rendered possible through the repeated overlay of paint in blots of crimson, black, blue, white, and pink, evoking the auditory memory of night time entertainment. Compared to many of Hernan Bas' figurative paintings, inspired by the highly detailed and decorative style of the Nabis, this work is a rare example that innovatively transgresses the boundaries of figuration and abstraction. Moreover, rather than showing the young protagonist inhabiting a fantasized world, the portrayal clearly implies a social context. The subject matter, a night time performance, also recalls works by French Impressionists in the second half of the 19th century. Degas's painting of Miss La La well demonstrates the tradition to depict popular entertainment as part of the urban spectacle. By taking an older art historical subject and recontextualizing it in his own palette, Bas has situated himself in multiple artistic practices.

More from FIRST OPEN | Shanghai: Living With Art

View All
View All