The Breakfast Room at Belle Grove Plantation, White Chapel, Louisiana, 1935
Details
WALKER EVANS (1903–1975)
The Breakfast Room at Belle Grove Plantation, White Chapel, Louisiana, 1935
gelatin silver print, mounted on board, printed 1974
signed and numbered '71/75' (mount, recto)
image/sheet: 10 1/4 x 12 3/4 in. (26 x 32 cm.)
mount: 14 3/4 x 18 in. (37.5 x 45.5 cm.)
This work is number seventy-one from an edition of seventy-five.
The Breakfast Room at Belle Grove Plantation, White Chapel, Louisiana, 1935
gelatin silver print, mounted on board, printed 1974
signed and numbered '71/75' (mount, recto)
image/sheet: 10 1/4 x 12 3/4 in. (26 x 32 cm.)
mount: 14 3/4 x 18 in. (37.5 x 45.5 cm.)
This work is number seventy-one from an edition of seventy-five.
Provenance
Courtesy of Howard Greenberg Gallery, New York.
Literature
John Szarkowski, Walker Evans, Museum of Modern Art, New York, 1971, p. 77.
Walker Evans, First and Last, Harper and Row, New York, 1978, pl. 125.
Jerry L. Thompson, Walker Evans at Work, Harper and Row, New York, 1982, p. 110.
Judith Keller, Walker Evans: The Getty Museum Collection, The J. Paul Getty Museum, Malibu, 1995, fig. 464, p. 148.
Peter Galassi, Walker Evans and Company, Museum of Modern Art, New York, 2000, pl. 42.
Maria Morris Hambourg and Jeff Rosenheim, Walker Evans, The Metropolitan Museum of Art, New York, 2000, pl. 46
Gilles Mora and John T. Hill, Walker Evans; The Hungry Eye, Thames and Hudson, London, 2004, p. 131.
Walker Evans, First and Last, Harper and Row, New York, 1978, pl. 125.
Jerry L. Thompson, Walker Evans at Work, Harper and Row, New York, 1982, p. 110.
Judith Keller, Walker Evans: The Getty Museum Collection, The J. Paul Getty Museum, Malibu, 1995, fig. 464, p. 148.
Peter Galassi, Walker Evans and Company, Museum of Modern Art, New York, 2000, pl. 42.
Maria Morris Hambourg and Jeff Rosenheim, Walker Evans, The Metropolitan Museum of Art, New York, 2000, pl. 46
Gilles Mora and John T. Hill, Walker Evans; The Hungry Eye, Thames and Hudson, London, 2004, p. 131.
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