Isamu Noguchi (1904–1988)
Isamu Noguchi (1904–1988)
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Isamu Noguchi: Modern Japanese Ceramic Practice
Isamu Noguchi (1904–1988)

Face Dish

Details
Isamu Noguchi (1904–1988)
Face Dish
incised with the artist's hiragana [no] symbol '?' (on the underside)
Shigaraki stoneware with Oribe glaze
1 3/8 x 9 3/8 x 9 3/8 in. (3.5 x 23.8 x 23.8 cm.)
Executed in 1952. This work is unique.
Provenance
Stable Gallery, New York
Anson Conger Goodyear, New York, 1954
Elizabeth Bliss Parkinson Cobb, New York, by descent from the above, 1964
Private collection, by descent from the above
Acquired from the above by the present owner
Literature
D. Botnick and N. Grove, The Sculpture of Isamu Noguchi, 1924–1979: A Catalogue, New York and London, 1980, p. 60, no. 337.
Isamu Noguchi Foundation and Garden Museum, The Isamu Noguchi Catalogue Raisonné, digital, ongoing, no. 337 (illustrated).
Exhibited
The Arts Club of Chicago, Noguchi: Sculpture and Scroll Drawings, November-December 1955.

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Isabella Lauria
Isabella Lauria

Lot Essay

In 1952 Isamu Noguchi and his bride, Yoshiko (Shirley) Yamaguchi were invited to live in a farmhouse in Kamarkura, Japan owned by the calligrapher and ceramicist Kitaoji Rosanjin (1883–1959). With access to Rosanjin’s kilns Noguchi began a series of ceramic sculptures and objects. Face Dish (Plate with Face Center) was exhibited in a selection of the artist’s work produced in Asia, including ceramics and scroll drawings, at the Arts Club of Chicago in 1955. Noguchi created ceramics during three brief but intense periods during his career: five months in Kyoto in 1931; one week in Seto in 1950; and several months in Kita Kamakura and briefly in Bizen in 1952. In 1952 he wrote “I have only made pottery in Japan, never elsewhere. I think the earth here and the sentiment are suited to pottery" (I. Noguchi quoted in R. Yellin, Pottery to get on a plane for, Japan Times, 2003).

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